The study of medieval clothing and textiles has aroused great attention in recent years, as part of the growing concern in material culture as a whole; apart from its own intrinsic interest, it has much to reveal about life at the time. This exciting new series aims to offer all those interested in the subject the fruits of the best research in the area. Interdisciplinary in approach, it will feature work from the fields of social and economic history, history of techniques and technology, art history, archaeology, literary and non-literary texts, and language, while experimental...
The study of medieval clothing and textiles has aroused great attention in recent years, as part of the growing concern in material culture as a whole...
Harold II is chiefly remembered today, perhaps unfairly, for the brevity of his reign and his death at the Battle of Hastings. The papers collected here seek to shed new light on the man and his milieu before and after that climax. They explore the long career and the dynastic network behind Harold Godwinesson's accession on the death of King Edward the Confessor in January 1066, looking in particular at the important questions as to whether Harold's kingship was opportunist or long-planned; a usurpation or a legitimate succession in terms of his Anglo-Scandinavian kinships? They also examine...
Harold II is chiefly remembered today, perhaps unfairly, for the brevity of his reign and his death at the Battle of Hastings. The papers collected he...
Historical dress and textiles, always a topic of popular interest, has in recent years become an academic subject in its own right, transcending traditional genre boundaries. This annual journal includes in-depth studies from a variety of disciplines as well as cross-genre scholarship, representing such fields as social history, economics, history of techniques and technology, art history, archaeology, literature, and language. The contents cover a broad geographical scope and a range of periods from the early Middle Ages to the Renaissance. Papers in this latest volume discuss clothing...
Historical dress and textiles, always a topic of popular interest, has in recent years become an academic subject in its own right, transcending tradi...
The third volume of this pioneering series explores the manufacture and trade of textiles and their practical, fashionable, and symbolic uses. Papers include in-depth studies and cross-genre scholarship representing such fields as social history, economics, art history, archaeology and literature, as well as the reconstruction of textile-making techniques. They range over England, Flanders, France, Germany, and Spain from the seventh to the sixteenth centuries, and address such topics as soft furnishings, ecclesiastical vestments, the economics of the wool trade, the making and use of narrow...
The third volume of this pioneering series explores the manufacture and trade of textiles and their practical, fashionable, and symbolic uses. Papers ...
The fourth volume of this landmark series features a special focus on headdress, with papers analysing women's turbans in fifteenth-century French manuscript paintings; the changing meaning of the term cuff; the spread of wimple from England to Southern Italy; and a surviving embroidered linen cap attributed to Saint Birgitta of Sweden. Northern European dress and textiles are further explored in papers on archaeological textiles from medieval towns in Finland, Norway, and Sweden; the construction of gowns excavated at Herjolfsnes, Greenland; and references to scarlet clothing in Icelandic...
The fourth volume of this landmark series features a special focus on headdress, with papers analysing women's turbans in fifteenth-century French man...
The fifth volume of this annual series features several articles examining the interaction of medieval romance with textiles and clothing. French Gothic ivory carvings illustrating courtly romances reveal details of fashionable dress; the distinct languages of narrative poetry and Parisian tax records offer contrasting views of medieval embroiderers; and scenes from the Tristan legend provide clues to the original form of the earliest surviving decorative quilt. Other papers look at ecclesiastical attempts to restrict extravagance in secular women's dress, the use of clothing references to...
The fifth volume of this annual series features several articles examining the interaction of medieval romance with textiles and clothing. French Goth...
Working with Anglo-Saxon Manuscripts is a highly readable and well-illustrated guide to manuscript study for students and fledgling researchers in Anglo-Saxon history and literature.Bringing together invaluable advice and information from a group of eminent scholars, it aims to develop in the reader an informed and realistic approach to the mechanisms for accessing and handling manuscripts in what may be limited time. In addition to an exploration of the various manuscript resources available in libraries and their research potential, the book appraises recent developments in electronic...
Working with Anglo-Saxon Manuscripts is a highly readable and well-illustrated guide to manuscript study for students and fledgling researchers in Ang...
It is well known that the old English poem "Beowulf" begins and ends with funerals and includes the third as a digression part way through. Now, for the first time, a fourth funeral (hitherto disguised as poetic imagery) is identified from archaeological evidence. A detailed analysis of the four funerals establishes their thematic and structural importance, revealing them as pillars around which the poem is built. The poet is revealed as a literate antiquarian of considerable structural skill; one who explores feminist issues, plays with numbers and enjoys a pun; who establishes an ideal then...
It is well known that the old English poem "Beowulf" begins and ends with funerals and includes the third as a digression part way through. Now, for t...
The Manchester Medieval Textiles Project began in 1994, as a collaboration between Elizabeth Coatsworth of Manchester Metropolitan University and Gale Owen-Crocker of the University of Manchester. Both had specialist interests in the literary and material culture of the early medieval period, and both were conscious of a gap in general knowledge of an important and all-pervasive part of that material culture, through the relative inaccessibility of sources of information regarding medieval textiles. The Manchester Medieval Textiles Project developed with two objectives, both attempting to...
The Manchester Medieval Textiles Project began in 1994, as a collaboration between Elizabeth Coatsworth of Manchester Metropolitan University and G...
This collection of fifteen papers ranges from the author's initial interest in the Tapestry as a source of information on early medieval dress, through to her startling recognition of the embroidery's sophisticated narrative structure. Developing the work of previous authors who had identified graphic models for some of the images, she argues that not just the images themselves but the contexts from which they were drawn should be taken in to account in 'reading' the messages of the Tapestry. In further investigating the minds and hands behind this, the largest non-architectural artefact...
This collection of fifteen papers ranges from the author's initial interest in the Tapestry as a source of information on early medieval dress, throug...
