Uniquely among histories of mediaeval music, this book is specifically devoted to the vast repertory of monophonic music. Too often treated as a preamble to polyphony, this music forms the basis of Europe's musical tradition. (A companion volume by F. A. Gallo, forthcoming in English translation, covers polyphonic music of the Middle Ages.)
Giulio Cattin outlines the birth and evolution of Christian chant in the early centuries of the Church and describes a number of partly independent Byzantine and Western chant traditions.
Fr Cattin's own background in the Church gives a particular...
Uniquely among histories of mediaeval music, this book is specifically devoted to the vast repertory of monophonic music. Too often treated as a pream...
De vulgari eloquentia, written by Dante in the early years of the fourteenth century, is the only known work of medieval literary theory to have been produced by a practicing poet, and the first to assert the intrinsic superiority of living, vernacular languages over Latin. Steven Botterill here offers the only Latin-English parallel-text edition of an important early work by the author of the Divine Comedy, and the only English translation with thorough and up-to-date notes and introductory material.
De vulgari eloquentia, written by Dante in the early years of the fourteenth century, is the only known work of medieval literary theory to have been ...
In this study, Steven Botterill explores the intellectual relationship between the greatest poet of the fourteenth century, Dante, and the greatest spiritual writer of the twelfth century, Bernard of Clairvaux. Botterill analyzes Bernard's appearance as a character in the closing cantos of the Paradiso in the context of his medieval reputation as a contemplative mystic, devotee of Mary, and, above all, a preacher of outstanding eloquence. Botterill's new critical stance will provoke a reevaluation of Bernard's significance in the Commedia.
In this study, Steven Botterill explores the intellectual relationship between the greatest poet of the fourteenth century, Dante, and the greatest sp...