This book explores how the English literary past was made. It charts how antiquarians unearthed the raw materials of the English (or more widely) British tradition; how scholars drafted narratives about the development of native literature; and how critics assigned the leading writers to canons of literary greatness.

Poetry: An Introduction is an accessible and clearly written introduction to the structural and methodological principles underpinning poetry and its study. It aims to equip the student, researcher, and general reader with a body of technical information that will sharpen and deepen their engagement with individual poems.

Strachan and Terry provide a lively map through what might on first experience seem the most daunting aspects of poetry: poetic sound effects, rhythm and meter, the typographic display of poems on the page, the language of poetry, and the use made by poets of...

Contributing to the growth in plagiarism studies, this timely new book highlights the impact of the allegation of plagiarism on the working lives of some of the major writers of the period, and considers plagiarism in relation to the emergence of literary copyright and the aesthetic of originality.

Mock-heroic is the exemplary genre of the English Augustan era: it is one of the few genres that the Augustans invented themselves, and it stands in a symbolic relation to a culture still reverential of the grandeurs of the classical past and uneasy about its ability to emulate them. Mock-Heroic from Butler to Cowper shows the protean nature of mock-epic at this time. It recounts the rise of mock-heroic, discusses the properties of the form, and explores its relation both to classical epic and to contemporary genres such as the poetic travesty and the novel. It also tracks the relation of...