In this definitive and long-awaited history of 1950s British cinema, Sue Harper and Vincent Porter draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences. Competition from television and successive changes in government policy all forced the production industry to become more market-sensitive. The films produced by Rank and Ealing, many of which harked back to wartime structures of feeling, were challenged by those backed by Anglo-Amalgamated and Hammer. The latter knew how to address the rebellious...

In this definitive and long-awaited history of 1950s British cinema, Sue Harper and Vincent Porter draw extensively on previously unknown archive material to chart the growing rejection of post-war deference by both film-makers and cinema audiences. Competition from television and successive changes in government policy all forced the production industry to become more market-sensitive. The films produced by Rank and Ealing, many of which harked back to wartime structures of feeling, were challenged by those backed by Anglo-Amalgamated and Hammer. The latter knew how to address the rebellious...

Since the mid-1980s, broadcasting in the Federal Republic of Germany has been extensively re-regulated. The traditional duopoly of the public broadcasters Ard and ZDF has been challenged by new private networks in both radio and television. In two historic judgements handed down in 1986 and 1987, the Federal Constitutional Court set out terms for a new dual order of private and public broadcasting. But how were the guidelines of the court interpreted in practice?
Pluralism, Politics and the Marketplace traces the economic and political influences which shaped the emergence of a...

Walter Charles Mycroft (1890-1959) was the film critic of the Evening Standard from 1922-1927, and also a founding member of London's Film Society. In 1928, he was appointed Head of the Scenario Department--and then Director of Production--at British International Pictures (later Associated British Pictures). In 1941 Mycroft was sacked following the death of the company's Managing Director and the requisition of Elstree studios by the British Government for war purposes. After that his career went into steady decline, although after the Second World War he worked for nearly a decade as...