Denise Levertov's Poems 1960-1967 brings together all of the poetry first published in The Jacob's Ladder (1961), O Taste and See (1964), and The Sorrow Dance (1967). This new compilation, beginning where her Collected Earlier Poems 1940-1960 (New Directions, 1979) left off, shows both a refining of the poet's craft and a widening of her concerns." We are living our whole lives in a state of emergency," she wrote in 1967. Levertov's staunch antiwar stand is reflected here in such poems as "Life at War" and "What Were They Like?" with what Kenneth Rexroth called "the special luster of a...

Arranged in seven parts and culminating in the superb "The Showings: Lady Julian of Norwich," Breathing the Water draws the readers deep into spiritual domains not in order to leave the world behind, but to reanimate our sometimes dormant love for it."

Denise Levertov's New & Selected Essays gathers three decades' worth of the poet's most important critical statements. Her subjects are various poetics, the imagination, politics, spirituality, other writers and her approach independent minded and richly complex. Here in a single volume are recent essays exploring new ground broken by Levertov in the past decade as well as the finest and most useful prose pieces from The Poet in the World (1973) and Light Up the Cave (1981). This is a book to read and reread. With their combination of sensitivity and practicality, the New & Selected Essays...

At her most moving and meditative, impressive and musical, Denise Levertov addresses in her poetry collection, Evening Train, the nature of faith and love, the imperiled beauty of the natural world, and the horrors of the Gulf War.

Rather than a completed autobiography, these collected memoirs are, for the author, fragments "composed from time to time between poems." Each of the twenty-seven pieces ofTesserae explores a memory vital to Levertov's life; each is complete in itself and set here chronologically. And, as in any good mosaic, every piece reflects light at different angles, giving this self-portrait its living complexity. Tesserae differs for the first time the unique memoirs or "a poet who may just be the finest writing in English today" (Kirkus Reviews).

Rather than a completed autobiography, these collected memoirs are, for the author, fragments "composed from time to time between poems." Each of the twenty-seven pieces ofTesserae explores a memory vital to Levertov's life; each is complete in itself and set here chronologically. And, as in any good mosaic, every piece reflects light at different angles, giving this self-portrait its living complexity. Tesserae differs for the first time the unique memoirs or "a poet who may just be the finest writing in English today" (Kirkus Reviews).

Conceived as a convenience to those readers concerned with doubt and faith, Denise Levertov's 34 selected poems originally were published in seven separate volumes. The earliest dates from 1978, and the group together more or less traces Levertov's slow movement from agnosticism to Christian faith.

A celebration of the literary correspondence of Denise Levertov and William Carlos Williams - at once a portrait of two geniuses, the testimony of their remarkable friendship, and a seedbed of ideas about American poetry. This volume contains 33 letters from Levertov and 31 from Williams.

Few poets have possessed so great a gift or so great a body of work when she died at 74, she had been a published poet for more than half a century. The poems themselves shine with the artistry of a writer at the height of her powers."

Described byPublishers Weekly as "at once as intimate as Creeley and as visionary as Duncan," Levertov was lauded as "one of the indispensable poets of our language, one of those few writers to whom it is necessary to pay attention" by The Malahat Review. No poet is more overdue for a single accessible volume; no career could be better to have within easy reach.