Jerome Klinkowitz presents an opening attempt to define postmodernism as it applies to the arts and culture. "Rosenberg/Barthes/Hassan" discusses the work of three critics who came to prominence in the 1960s, an era of social, ideological, and aesthetic turmoil. Sharing a disdain for modernism's authoritarianism, elitism, and sterile preoccupation with despair, the three critics called for a postmodern art that would emphasize action, reality, and immanence and offer fresh envisionings of the world.

Klinkowitz traces the progression of thought that links the work of critic Harold...

Contrasts between fighter combat and the bombers' war support Klinkowitz's belief that notions of the air war were determined by one's position in it. He extends his thesis by showing the vastly different style of air war described by veterans of the North African and Mediterranean campaigns and concludes by studying the effects of such combat on adversaries and victims.

Air combat, Klinkowitz writes, offers a unique perspective on the nature of war. The experience of combat has inspired authors to combine exquisite descriptions with probing thoughtfulness, covering the full range of...