This revisionary study of the origins of courtly literature reveals the culture of spectatorship and voyeurism that shaped early Tudor English literary life. Through new research into the reception of Chaucer's Troilus and Criseyde, it demonstrates how Pandarus became the model of the early modern courtier. In close readings of early Tudor poetry, court drama, letters, manuscript anthologies and printed books, Seth Lerer illuminates a "Pandaric" world of displayed bodies, surreptitious letters, and transgressive performances.
This revisionary study of the origins of courtly literature reveals the culture of spectatorship and voyeurism that shaped early Tudor English literar...
Edmund Spenser (c.1552-99) conducted two careers at once: a celebrated poet, he also pursued a lifelong career as secretary to various political and ecclesiastical figures. Richard Rambuss's ground-breaking book explores the ways in which this latter profession informed his poetic career. It argues that for Spenser, the manipulation of secrets provided a strategy for self-promotion and a means of measuring his distance from royal and aristocratic power. The study presents a new picture of Spenser and examines ideas of gender, power, and subjecthood in the Renaissance.
Edmund Spenser (c.1552-99) conducted two careers at once: a celebrated poet, he also pursued a lifelong career as secretary to various political and e...
What were the possibilities of prose as a literary medium in the sixteenth and seventeenth centuries? And how did it operate in the literary and social worlds? The Project of Prose in Early Modern Europe and the New World brings together ten new essays by leading scholars of the literatures of England, Spain, France, Italy, Portugal, and the colonial Americas, to answer these questions in wide-ranging ways. Several of the essays shed new light on landmark prose works of the period; some discuss what lesser-known writings reveal about the medium; others move between the literary and the...
What were the possibilities of prose as a literary medium in the sixteenth and seventeenth centuries? And how did it operate in the literary and socia...
Valerie Traub analyzes the representation of female-female love, desire, and eroticism in a range of early modern discourses, including poetry, drama, visual arts, pornography, and medicine. Contrary to the silence ascribed to lesbianism in the Renaissance, Traub argues that the early modern period witnessed an unprecedented proliferation of representations of such desire. As a contribution to the history of sexuality and to feminist and queer theory, the book addresses current theoretical preoccupations through the lens of historical inquiry.
Valerie Traub analyzes the representation of female-female love, desire, and eroticism in a range of early modern discourses, including poetry, drama,...
Shakespeare's images of the exotic are shown to be firmly based on the margins of contemporary maps; and examination of the icons and emblems of maps raises questions about the mapmakers' overt intentions and instinctive assumptions, and reveals connections between the semiology of a map and that of the theater.
Shakespeare's images of the exotic are shown to be firmly based on the margins of contemporary maps; and examination of the icons and emblems of maps ...
Reformation iconoclasts viewed verbal images with the same distrust and aversion as visual images, because they too were capable of shaping and thus waylaying the human imagination; and yet the Reformation also produced the defining monuments of English epic. In an extended analysis, both lucid and theoretically sophisticated, Linda Gregerson traces the contradictory cultural roots of The Faerie Queene and Paradise Lost, illuminating the ideological, political, and gender conflicts that Spenser and Milton confronted as they transformed the epic poem into an instrument for the reformation of...
Reformation iconoclasts viewed verbal images with the same distrust and aversion as visual images, because they too were capable of shaping and thus w...
To recent studies of Renaissance subjectivity, Anxious Masculinity in Early Modern England contributes the argument that masculinity is unavoidably anxious and volatile in cultures that distribute power and authority according to patriarchal prerogatives. Drawing from current arguments in feminism, cultural studies, historicism, psychoanalysis and gay studies, Mark Breitenberg explores the dialectic of desire and anxiety in masculine subjectivity in the work of a wide range of writers, including Shakespeare, Bacon, Burton, and the women writers of the "querelles des femmes" debate, especially...
To recent studies of Renaissance subjectivity, Anxious Masculinity in Early Modern England contributes the argument that masculinity is unavoidably an...
To recent studies of Renaissance subjectivity, Anxious Masculinity in Early Modern England contributes the argument that masculinity is unavoidably anxious and volatile in cultures that distribute power and authority according to patriarchal prerogatives. Drawing from current arguments in feminism, cultural studies, historicism, psychoanalysis and gay studies, Mark Breitenberg explores the dialectic of desire and anxiety in masculine subjectivity in the work of a wide range of writers, including Shakespeare, Bacon, Burton, and the women writers of the "querelles des femmes" debate, especially...
To recent studies of Renaissance subjectivity, Anxious Masculinity in Early Modern England contributes the argument that masculinity is unavoidably an...
Here the author explores the dynamics of imitation among early modern European powers in literary and historiographical texts from sixteenth and early seventeenth-century Spain, Italy, England, and the New World. The book considers a broad sweep of material, including European representations of New World subjects and of Islam. It supplements the transatlantic perspective on early modern imperialism with an awareness of the situation in the Mediterranean and considers problems of reading and literary transmission; imperial ideology and colonial identities; counterfeits and forgery; and piracy.
Here the author explores the dynamics of imitation among early modern European powers in literary and historiographical texts from sixteenth and early...