This volume has its origins in the project Large-scale Registration of Chinese Storytelling, which involved the recording on film of 360 hours of performances by the four masters of Yangzhou storytelling, Dai Buzhang, Fei Zhengliang, Gao Zaihua, and Ren Jitang. Four sets of these films have been deposited (in Washington D.C., Taipei, Beijing, and Copenhagen) so that future generations of scholars will have access to this unique material. With all text appearing in both English and Chinese and with its subject matter brought alive by a wealth of photographs plus a 60-minute film on VCD, this...
This volume has its origins in the project Large-scale Registration of Chinese Storytelling, which involved the recording on film of 360 hours of perf...
The focus of Chinese literary studies has long been on the written word even though Chinese fiction and drama have strong oral roots and have been shaped by an interplay between oral and written traditions. The culmination of decades working on this issue--and using as its lens the story about how the legendary hero Wu Song killed a tiger with his bare hands--this volume explores Chinese oral professional storytelling and its relations with literary culture in the past and present.
The focus of Chinese literary studies has long been on the written word even though Chinese fiction and drama have strong oral roots and have been sha...
The focus of Chinese literary studies has long been on the written word even though Chinese fiction and drama have strong oral roots and have been shaped by an interplay between oral and written traditions. The culmination of decades working on this issue--and using as its lens the story about how the legendary hero Wu Song killed a tiger with his bare hands--this volume explores Chinese oral professional storytelling and its relations with literary culture in the past and present.
The focus of Chinese literary studies has long been on the written word even though Chinese fiction and drama have strong oral roots and have been sha...
