Thomas Dixon was a lawyer, North Carolina state legislator, Baptist minister, lecturer, and novelist. This novel, an abridgement by Cary Wintz was originally published in 1905. It reflects turn-of-the-century attitudes most southerners had about Republican rule during Reconstruction.

Thomas Dixon, Jr., born during the Civil War, was a lawyer, North Carolina state legislator, Baptist minister, lecturer, and novelist. His novel The Clansman, originally published in 1905, reflects turn of the century attitudes most white southerners still had about Republica rule during Reconstruction. Although The Clansman clearly twisted the truth of many historical events, it is an accurate and faithful representation of a dominant attitude southerners - and northerners as well - had about those events. The novel was made into the classic D.W. Griffith film, The Birth of a Nation in 1915,...

First published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

First Published in 1996. Routledge is an imprint of Taylor & Francis, an informa company.

In the 1980s and early 1990s the scholarly analysis of the Harlem Renaissance became more sophisticated, reflecting increasing interest in the field of African American studies. This volume collects writings that reflect the major changes in the scholarship and the increased emphasis on the role of women in the movement, as well as the application of the methodologies and insights of race and gender studies. In addition, the last 15 years have seen increased interest in the Harlem Renaissance on the part of European and African scholars, and these international perspectives are also included....

Harlem symbolized the urbanization of black America in the 1920s and 1930s. Home to the largest concentration of African Americans who settled outside the South, it spawned the literary and artistic movement known as the Harlem Renaissance. Its writers were in the vanguard of an attempt to come to terms with black urbanization. They lived it and wrote about it.
First published in 1988, "Black Culture and the Harlem Renaissance" examines the relationship between the community and its literature. Author Cary Wintz analyzes the movement's emergence within the framework of the black social...

An innovative contribution to the growing body of research about urban African-American culture in the South, Black Dixie is the first anthology to track the black experience in a single southern city across the entire slavery/post-slavery continuum. It combines the best previously published scholarship about black Houston and little-known contemporary eyewitness accounts of the city with fresh, unpublished essays by historians and social scientists.
Divided into four sections, the book covers a broad range of both time and subjects. The first section analyzes the development of scholarly...

This text presents a selection of essays and speeches written between 1890 and 1930 by Booker T. Washington, W.E.B. Du Bois, A. Philip Randolph and Marcus Garvey. The work analyses African-American political thought, defining the options confronting African Americans in the 20th century.

This text presents a selection of essays and speeches written between 1890 and 1930 by Booker T. Washington, W.E.B. Du Bois, A. Philip Randolph and Marcus Garvey. The work analyses African-American political thought, defining the options confronting African Americans in the 20th century.

From the music of Louis Armstrong to the portraits by Beauford Delaney, the writings of Langston Hughes to the debut of the musical Show Boat, the Harlem Renaissance is one of the most significant developments in African-American history in the twentieth century. The Encyclopedia of the Harlem Renaissance, in two-volumes and over 635 entries, is the first comprehensive compilation of information on all aspects of this creative, dynamic period.
For a full list of entries, contributors, and more, visit the Encyclopedi a of Harlem Renaissance...