The "Chromatic Fourth" is a musical pattern of six notes moving by step up or down the scale. In this essentially practical study Peter Williams draws on his extensive knowledge of the music of four centuries to investigate and analyze over 200 examples taken from composers ranging from Bach to Bartok, and from Schubert to Shostakovich. "
The "Chromatic Fourth" is a musical pattern of six notes moving by step up or down the scale. In this essentially practical study Peter Williams draws...
Respiration represents the major area of ignorance in our understanding of the global carbon cycle. In spite of its obvious ecological and biogeochemical importance, most oceanographic and limnological textbooks invariably deal with respiration only superficially and as an extension of production and other processes. The objective of this book is to fill this gap and to provide the first comprehensive review of respiration in the major aquatic systems of the biosphere. The introductory chapters review the general importance of respiration in aquatic systems, and deal with respiration within...
Respiration represents the major area of ignorance in our understanding of the global carbon cycle. In spite of its obvious ecological and biogeochemi...
Like Shakespeare, J.S. Bach is known largely by his works. Peter Williams asks many questions in this examination of the man as well as the composer. What was Bach like as a youth, father, and, eventually, church elder? What music did he know and how did he compose and perform such an amazing amount? Ultimately, Williams questions the effects of unremitting acclaim on objective evaluations of J.S. Bach.
Like Shakespeare, J.S. Bach is known largely by his works. Peter Williams asks many questions in this examination of the man as well as the composer. ...
How did the organ become a church instrument? How did it develop from an outdoor, Mediterranean noisemaker to an instrument which has become the embodiment of western music and responsible for many of that music's characteristics? In this fascinating, investigation, Peter Williams speculates on these questions and suggests some likely answers. He considers where the organ was placed and why; what the instrument was like in 800, 1000, 1200 and 1400; what music was played, and how. He re-examines known references before 1300, covering such areas as the history of technology; music-theory art...
How did the organ become a church instrument? How did it develop from an outdoor, Mediterranean noisemaker to an instrument which has become the embod...
Like Shakespeare, J.S. Bach is known largely by his works. Peter Williams asks many questions in this examination of the man as well as the composer. What was Bach like as a youth, father, and, eventually, church elder? What music did he know and how did he compose and perform such an amazing amount? Ultimately, Williams questions the effects of unremitting acclaim on objective evaluations of J.S. Bach.
Like Shakespeare, J.S. Bach is known largely by his works. Peter Williams asks many questions in this examination of the man as well as the composer. ...
