Ina Ferris examines the way in which the problem of "incomplete union" (generated by the formation of the United Kingdom in 1800) destabilized British public discourse in the early decades of the nineteenth century. Ferris presents a full-length study of the chief genre to emerge out of the political problem of Union: the national tale, an intercultural and mostly female-authored fictional mode that articulated Irish grievances to English readers.

This ground-breaking collection of essays presents a new 'bookish' literary history, which situates questions about books at the intersection of a range of debates about the role of authors and readers, the organization of knowledge, the vogue for collecting, and the impact of overlapping technologies of writing and shifting generic boundaries.

Ina Ferris examines the way in which the problem of "incomplete union" (generated by the formation of the United Kingdom in 1800) destabilized British public discourse in the early decades of the nineteenth century. Ferris presents a full-length study of the chief genre to emerge out of the political problem of Union: the national tale, an intercultural and mostly female-authored fictional mode that articulated Irish grievances to English readers.

A new perspective on the disjunction between book culture and literary culture in the early nineteenth century that shaped the contours of the modern literary sphere.