This study offers a new approach to Flaubert's fiction and to the field of gender studies. Close readings of his six major works show a Flaubert aware of the logic and contradictions of male power.

This book is a comprehensive introduction to the idea of intertextuality and the debates surrounding it, focusing on the four key thinkers whose work has been central to these debates - Kristeva, Barthes, Bloom and Genette.

• A comprehensive introduction to 'intertextuality', a term which describes the idea that meaning only exists between a text and all the other texts to which it refers and relates.
  
• Focuses on the four key thinkers whose work has been central to these debates - Kristeva, Barthes, Bloom and Genette, guiding the reader through the...

This book is a comprehensive introduction to the idea of intertextuality and the debates surrounding it, focusing on the four key thinkers whose work has been central to these debates - Kristeva, Barthes, Bloom and Genette.

• A comprehensive introduction to 'intertextuality', a term which describes the idea that meaning only exists between a text and all the other texts to which it refers and relates.
  
• Focuses on the four key thinkers whose work has been central to these debates - Kristeva, Barthes, Bloom and Genette, guiding the reader through the...

From Goethe to Gide brings together twelve essays on canonical male writers (six French and six German) commissioned from leading specialists from Britain and North America.
These essays, aimed at final year undergraduates and postgraduates, focus on Rousseau, Goethe, Schiller, Hoffmann, Stendhal, Baudelaire, Flaubert, Heine, Fontane, Zola, Kafka, and Gide. The collection therefore foregrounds the major authors taught in British university BA courses in French and German. Working with the tools of feminist criticism, the authors demonstrate how feminist readings of these writings...

This is the first comprehensive study in English of Flaubert's least well-known masterpiece, the final version of his Temptation of Saint Anthony (1874) which, thanks to Foucault, has the reputation of being an arcane and erudite "fantastic library" or, thanks to genetic criticism, is a "narrative" of Flaubert's personal aesthetic ("oeuvre de toute ma vie"). By presuming instead no prior knowledge of the text, its versions or its contexts, Mary Orr provides new readings of the seven tableaux which comprise Temptation, and new ways of interpreting the work as a whole, whether the reader is a...