In the modern theater, Twelfth Night is one of the most popular of Shakespeare's plays, and this edition places particular emphasis on its theatrical qualities in both the introduction and the full and detailed commentary. Where original music has not survived, James Walker has composed settings compatible with the surviving originals, freshly edited so that this edition, unique among modern editions, offers all the music required to perform the play. It will be invaluable to actors, directors, and students at all levels.

Modernizing Shakespeare's Spelling With Three Studies of the Text of 'Henry V'

Re-editing Shakespeare for the Modern Reader

King Lear, widely considered Shakespeare's most deeply moving, passionately expressed, and intellectually ambitious play, has almost always been edited from the revised version printed in the First Folio of 1623, with additions from the quarto of 1608. Now for the first time, this new volume presents the full, scholarly edition to be based firmly on the quarto, now recognized as the base text from which all others derive. A thorough, attractively written introduction suggests how the work grew slowly in Shakespeare's imagination, fed by years of reading, thinking, and experience as a...

English Drama (Excluding Shakespeare)

Shakespeare in the Theatre offers a rich, varied, and wonderfully evocative collection of eyewitness accounts of Shakespearian performances over the centuries. Theatre generates an excitement that stimulates fine prose: here are Hazlitt's famous accounts of Edmund Kean as Richard III and Hamlet, Bernard Shaw on Forbes-Robertson's Hamlet and his hilarious descriptions of Augustin Daly's productions, Max Beerbohm on Gordon Craig, and Kenneth Tynan on Olivier and Wolfit. Here too are lesser-known pieces by great writers: the German novelist Theodor Fontane on Charles Kean, Evelyn Waugh on...

Considering the playwright and his work, the author theorizes that Shakespeare's elusive personality is a result of his supremacy as a dramatist--that he submerged his identity in his characters--and assesses evolving meanings of the plays and poems.

A comprehensive reference work on Shakespearean textual problems, setting forth the editorial principles of the Oxford Edition and providing a concise history of Shakespeare editing. Includes for each play, textual notes, press-variants, discussions of emendations and plausible alternative readings, and much more. Indispensable for serious students. Illus.

Toward the end of the 1980s it looked as if television had displaced film as the photographic medium for bringing Shakespeare to the modern audience. In recent years there has been a renaissance of Shakespearean film by directors such as Kenneth Branagh, Franco Zeffirelli, Peter Greenaway, and Christina Ezard. In this volume, a range of writers study the best known and most entertaining film, television and video versions of Shakespeare's plays, with particular attention given to the work of Olivier, Zeffirelli and Kurosawa, and to the BBC television series. The volume also includes a survey...

Shakespeare Survey is a yearbook of Shakespeare studies and production. Since 1948 Survey has published the best international scholarship in English and many of its essays have become classics of Shakespeare criticism. Each volume is devoted to a theme, or play, or group of plays; each also contains a section of reviews of the previous year's textual and critical studies and of major British performances. The books are illustrated with a variety of Shakespearean images and production photographs. The current editor of Survey is Peter Holland. The first eighteen volumes were edited by...