The term "cyberpunk" entered the literary landscape in 1984 to describe William Gibson's pathbreaking novel "Neuromancer." Cyberpunks are now among the shock troops of postmodernism, Larry McCaffery argues in "Storming the Reality Studio, "marshalling the resources of a fragmentary culture to create a startling new form. Artificial intelligence, genetic engineering, multinational machinations, frenetic bursts of prose, collisions of style, celebrations of texture: although emerging largely from science fiction, these features of cyberpunk writing are, as this volume makes clear, integrally...