In the 1980s, a sea change occurred in comics. Fueled by Art Spiegel- man and Francoise Mouly's avant-garde anthology Raw and the launch of the Love & Rockets series by Gilbert, Jaime, and Mario Hernandez, the decade saw a deluge of comics that were more autobiographical, emotionally realistic, and experimental than anything seen before. These alternative comics were not the scatological satires of the 1960s underground, nor were they brightly colored newspaper strips or superhero comic books.
In Alternative Comics: An Emerging Literature, Charles Hatfield...
In the 1980s, a sea change occurred in comics. Fueled by Art Spiegel- man and Francoise Mouly's avant-garde anthology Raw and the launch of ...
Bissette provides an expansive overview of every aspect of the creation of a graphic novel (in this case, Rick Veitch's seminal "Brat Pack," 1990-1991), including its pop cultural roots, context, and wake; the personal and professional life of its creator; and the behind-the-scenes creative and business decisions that culminated in the publication of the completed serialized original.
Bissette provides an expansive overview of every aspect of the creation of a graphic novel (in this case, Rick Veitch's seminal "Brat Pack," 1990-1991...
Jack Kirby (1917-1994) is one of the most influential and popular artists in comics history. With Stan Lee, he created the Fantastic Four and defined the drawing and narrative style of Marvel Comics from the 1960s to the present day. Kirby is credited with creating or cocreating a number of Marvel's mainstay properties, among them the X-Men, the Hulk, Thor, and the Silver Surfer. His earlier work with Joe Simon led to the creation of Captain America, the popular kid gang and romance comic genres, and one of the most successful comics studios of the 1940s and 1950s. Kirby's distinctive...
Jack Kirby (1917-1994) is one of the most influential and popular artists in comics history. With Stan Lee, he created the Fantastic Four and defin...
Jack Kirby (1917-1994) is one of the most influential and popular artists in comics history. With Stan Lee, he created the Fantastic Four and defined the drawing and narrative style of Marvel Comics from the 1960s to the present day. Kirby is credited with creating or cocreating a number of Marvel's mainstay properties, among them the X-Men, the Hulk, Thor, and the Silver Surfer. His earlier work with Joe Simon led to the creation of Captain America, the popular kid gang and romance comic genres, and one of the most successful comics studios of the 1940s and 1950s. Kirby's distinctive...
Jack Kirby (1917-1994) is one of the most influential and popular artists in comics history. With Stan Lee, he created the Fantastic Four and defin...
Despite their commercial appeal and cross-media reach, superheroes are only recently starting to attract sustained scholarly attention. This groundbreaking collection brings together essays and book excerpts by major writers on comics and popular culture.
While superhero comics are a distinct and sometimes disdained branch of comics creation, they are integral to the development of the North American comic book and the history of the medium. For the past half-century they have also been the one overwhelmingly dominant market genre. The sheer volume of superhero comics that have been...
Despite their commercial appeal and cross-media reach, superheroes are only recently starting to attract sustained scholarly attention. This ground...
Despite their commercial appeal and cross-media reach, superheroes are only recently starting to attract sustained scholarly attention. This groundbreaking collection brings together essays and book excerpts by major writers on comics and popular culture.
While superhero comics are a distinct and sometimes disdained branch of comics creation, they are integral to the development of the North American comic book and the history of the medium. For the past half-century they have also been the one overwhelmingly dominant market genre. The sheer volume of superhero comics that have been...
Despite their commercial appeal and cross-media reach, superheroes are only recently starting to attract sustained scholarly attention. This ground...
The Limits of Identity is a polemical critique of the repudiation of universalism and the theoretical commitment to identity and difference embedded in Latin American literary and cultural studies. Through original readings of foundational Latin American thinkers (such as Jose Marti and Jose Enrique Rodo) and contemporary theorists (such as John Beverley and Doris Sommer), Charles Hatfield reveals and challenges the anti-universalism that informs seemingly disparate theoretical projects.
The Limits of Identity offers a critical reexamination of widely held...
The Limits of Identity is a polemical critique of the repudiation of universalism and the theoretical commitment to identity and differenc...
