This highly original work is about the spatial imagination as it has manifested itself in one of the most beautiful and historically important cities in the world. The subject is not the buildings, trees, and rivers of St. Petersburg, but the spaces between them: space as a conceptual interval, not as emptiness. Emptiness and space are not synonyms, the author argues. One way or another, space is formed and shaped into a structure that can be perceived, but emptiness has no distinct articulation or content. Interpreting the unique space of Petersburg since its founding in Russian and Soviet...
This highly original work is about the spatial imagination as it has manifested itself in one of the most beautiful and historically important cities ...
Nikolay Punin (1888-1953) was the most articulate Russian/Soviet art critic of the 1920s. He strongly advocated Constructivism, an avant-garde impulse that favored mechanomorphic abstraction and proclaimed a movement to bring art into the center of popular life. In the United States, he is perhaps best remembered for his love affair with Anna Akhmatova, one of the great poets of the twentieth century.
This volume presents the first English translation of ten diary notebooks that Punin wrote between 1915 and 1936, as well as selections from his earlier (1904-1910) and later...
Nikolay Punin (1888-1953) was the most articulate Russian/Soviet art critic of the 1920s. He strongly advocated Constructivism, an avant-garde impu...
