Lin Foxhall explores the cultivation of the olive as an extended case study for understanding ancient Greek agriculture in its landscape, economic, social, and political settings. Evidence from written sources, archaeology, and visual images is assembled to focus on what was special about the cultivation and processing of the olive in classical and archaic Greece, and how and why these practices differed from Roman ones. This investigation opens up new ways of thinking about the economies of the archaic and classical Greek world.

When Men Were Men questions the deep-set assumption that men's history speaks and has always spoken for all of us, by exploring the history of classical antiquity as an explicitly masculine story.
With a preface by Sarah Pomeroy, this study employs different methodologies and focuses on a broad range of source materials, periods and places.

This text explores artistic and intellectual expression in the Classical world as the self-representation of man. It starts from the premise that the history of Classical antiquity as the ancients tell it is a history of men. However, the focus of this volume is the creation, re-creation and iteration of that male self as presented in language, poetry, drama, philosophical and scientific thought and art: man constructing himself as subject in classical antiquity and beyond. This illustrated volume provides an insight into the representations of men in Classical culture.

When Men Were Men questions the deep-set assumption that men's history speaks and has always spoken for all of us, by exploring the history of classical antiquity as an explicitly masculine story.
With a preface by Sarah Pomeroy, this study employs different methodologies and focuses on a broad range of source materials, periods and places.

Thinking Men explores artistic and intellectual expression in the classical world as the self representation of man. It starts from the premise that the history of classical antiquity as the ancients tell it is a history of men. However, the focus of this volume is the creation, re-creation and iteration of that male self as presented in language, poetry, drama, philosophical and scientific thought and art: man constructing himself as subject in classical antiquity and beyond. This beautifully illustrated volume, which contains a preface by Nathalie Kampen, provides a...

This edited volume investigates knowledge networks based on materials and associated technologies in prehistoric Europe and the classical Mediterranean. It emphasises the significance of material objects to the construction, maintenance, and collapse of networks of various forms - which are central to explanations of cultural contact and change. Focusing on the materiality of objects and on the way in which materials are used adds a multidimensional quality to networks.