In the summer of 1937, Thomas Wolfe was in the North Carolina mountains revising a piece about a party and subsequent fire at the Park Avenue penthouse apartment of the fictional Esther and Frederick Jack. He wrote to his agent, Elizabeth Nowell, 'I think it is now a single thing, as much a single thing as anything I've ever written.' Abridged and edited versions of the story were published twice, as a novella in Scribner's Monthly (May 1939) and as part of You Can't Go Home Again (1940). Now Suzanne Stutman and John Idol have worked from manuscript sources at Harvard University...
In the summer of 1937, Thomas Wolfe was in the North Carolina mountains revising a piece about a party and subsequent fire at the Park Avenue penthous...
This valuable reference work provides an overview of Wolfe's life and works in a readily accessible format. A biographical sketch of the writer's life is followed by short essays on his works. These focus on structure, themes, symbols, attitudes, and ideas, as well as special problems occasioned by decisions and practices of Wolfe's editors. Additional features of the book include a descriptive and analytic bibliography, including publishing history, editions, controversy, and critical analysis for the various entries, as well as a discussion of Wolfe scholars and scholarship. A helpful,...
This valuable reference work provides an overview of Wolfe's life and works in a readily accessible format. A biographical sketch of the writer's l...
This study takes an unusual approach to Nathaniel Hawthorne's work by exploring his knowledge and uses of the visual arts. The authors trace Hawthorne's encounters with art in his native New England, highlight his determined effort to acquire a taste for painting at the Manchester Exhibition in 1857, explore his responses to art as he traveled through France and Italy, and discuss his continuing interest in the visual arts once he returned to America. In contrast to those who maintain that Hawthorne had little feeling for and appreciation of the arts, the authors argue that Hawthorne...
This study takes an unusual approach to Nathaniel Hawthorne's work by exploring his knowledge and uses of the visual arts. The authors trace Hawthorne...
