Tytti Soila Astrid Soderbergh-Widding Astrid Soderbergh Widding
This work explores the film histories and cultures of Denmark, Finland, Iceland, Norway and Sweden, tracing the 20th-century development of each country's domestic film prodcuction and cinema audiences. The author discusses the place in cinema history of international figures such as Mauritz Stiller, Victor Sjostrom, Carl Dreyer and Ingmar Bergman, directors of films like Vampyr, Ordet, Wild Strawberries, and Cries and Whispers. The author looks at national film makers: August Blom, Bodil Ipsen, Lau Lauritzen and Nils Malmros; and also discusses contemporary film-makers like Gabriel Axel, the...
This work explores the film histories and cultures of Denmark, Finland, Iceland, Norway and Sweden, tracing the 20th-century development of each count...
Tytti Soila Astrid Soderbergh-Widding Astrid Soderbergh Widding
Nordic National Cinemas explores the film histories and cultures of Denmark, Finland, Iceland, Norway and Sweden. The authors examine each country's domestic film production, social and political context and domestic audiences from the beginning of this century to the twentieth century. The authors not only explore the work of internationally renowned figures such as Mauritz Stiller, Victor Sjostrom, Carl Dreyer and Ingmar Bergman, directors of such classics as Vampyr, Ordet, Wild Strawberries and Cries and Whispers, but also nationally important film makers such as August Blom, Bodil...
Nordic National Cinemas explores the film histories and cultures of Denmark, Finland, Iceland, Norway and Sweden. The authors examine each country's d...
In 1888, Thomas Edison announced that he was experimenting on "an instrument which does for the eye what the phonograph does for the ear, which is the recording and reproduction of things in motion." Just as Edison's investigations were framed in terms of the known technologies of the phonograph and the microscope, the essays in this collection address the contexts of innovation and reception that have framed the development of moving images in the last 100 years. Three concerns are of particular interest: the contexts of innovation and reception for moving image technologies; the role of...
In 1888, Thomas Edison announced that he was experimenting on "an instrument which does for the eye what the phonograph does for the ear, which is ...