This new collection of essays by major scholars in the field looks at the ways in which cross-fertilization has taken place in Gothic writing from France, Germany, Britain and America over the last 200 years, and argues that Gothic writing reflects international exchanges in theme and form.
This new collection of essays by major scholars in the field looks at the ways in which cross-fertilization has taken place in Gothic writing from Fra...
Daphne du Maurier: Writing, Identity and the Gothic Imagination is the first full-length evaluation of du Maurier's fiction and the first critical study of du Maurier as a Gothic writer. Horner and Zlosnik argue that the fears at the heart of du Maurier's Gothic fictions reflect both personal and broader cultural anxieties concerning sexual and social identity. Using the most recent work in Gothic and gender studies they enter the current debate on the nature of Female Gothic and raise questions about du Maurier's relationship to such a tradition.
Daphne du Maurier: Writing, Identity and the Gothic Imagination is the first full-length evaluation of du Maurier's fiction and the first critical stu...
Although Gothic writing is now seen as significant for an understanding of modernity, it is still largely characterized as a literature of fear and anxiety. Gothic and the Comic Turn argues that, partly through its desire to be taken seriously, Gothic criticism has neglected the comic doppelganger that has always inhabited the Gothic mode and which in certain texts emerges as dominant. Tracing an historical trajectory from the late Romantic period through to the present day, this book examines how varieties of comic parody and appropriation have interrogated the complexities of modern...
Although Gothic writing is now seen as significant for an understanding of modernity, it is still largely characterized as a literature of fear and an...
Daphne du Maurier: Writing, Identity and the Gothic Imagination is the first full-length evaluation of du Maurier's fiction and the first critical study of du Maurier as a Gothic writer. Horner and Zlosnik argue that the fears at the heart of du Maurier's Gothic fictions reflect both personal and broader cultural anxieties concerning sexual and social identity. Using the most recent work in Gothic and gender studies they enter the current debate on the nature of Female Gothic and raise questions about du Maurier's relationship to such a tradition.
Daphne du Maurier: Writing, Identity and the Gothic Imagination is the first full-length evaluation of du Maurier's fiction and the first cri...
Although the preoccupation of Gothic storytelling with the family has often been observed, it invites a more systematic exploration. Gothic kinship brings together case studies of Gothic kinship ties in film and literature and offers a synthesis and theorisation of the different appearances of the Gothic family. Writers discussed include early British Gothic writers such as Eleanor Sleath and Louisa Sidney Stanhope as well as a range of later authors writing in English, including Elizabeth Gaskell, William March, Stephen King, Poppy Z. Brite, Patricia Duncker, J. K. Rowling and Audrey...
Although the preoccupation of Gothic storytelling with the family has often been observed, it invites a more systematic exploration. Gothic kinship br...
"I finished "The Heroine" last night and was very much amused by it. It diverted me exceedingly. I have torn through the third volume; I do not think it falls off. It is a delightful burlesque..." - Jane Austen
""Everybody" has read "The Heroine"]. There is no one so superlatively unhappy as not to have done this thing. But if such there be - if by any possibility such person should exist, we have only a few words to say to him. Go, silly man, and purchase forthwith '"The Heroine: or Adventures of Cherubina."' There are few books written with more tact, spirit, naivete, or grace, ...
"I finished "The Heroine" last night and was very much amused by it. It diverted me exceedingly. I have torn through the third volume; I do not thi...
Gothic kinship is the first collection that investigates the nexus between Gothic and kinship figurations in a wide range of texts from different periods and different countries. What is it that makes certain forms of relatedness Gothic? In what sense may kinship be regarded as monstrous, or evil, or haunting? Although the preoccupation of Gothic fiction with the family has often been observed, these essays break new ground by bringing together case studies of Gothic kinship ties in film and literature and offering a synthesis and theorisation of the different appearances of the Gothic...
Gothic kinship is the first collection that investigates the nexus between Gothic and kinship figurations in a wide range of texts from different p...
