Led by Frank Sinatra, the generation that emerged during and after World War II raised the performance of the popular song to the level of art. Gene Lees' fascinating book examines some of the most gifted of these singers, including Sinatra, Dick Haymes, Peggy Lee, Jo Stafford, and Sarah Vaughan.
Far from being the simple intuitive performers the public thought it knew, these people emerge--in Singers and the Song--as intelligent, skillful, and fully conscious artists dedicated to their work. Lees also discusses the composers, including the great film composer, Hugo Friedhodfer, and the...

It was none other than Louis Armstrong who said, "These people who make the restrictions, they don't know nothing about music. It's no crime for cats of any color to get together and blow." "You can't know what it means to be black in the United States--in any field," Dizzy Gillespie once said, but Gillespie vigorously objected to the proposition that only black people could play jazz. "If you accept that premise, well then what you're saying is that maybe black people can only play jazz. And black people, like anyone else, can be anything they want to be."
In Cats of Any Color, Gene...

Gene Lees is probably the best jazz essayist in America today, and the book that consolidated his reputation was Singers and the Song, which appeared in 1987. Now this classic volume is available in an expanded edition that retains a number of famous pieces from the original volume, including his marvelous essay on lyric writing, his piece on the art of Edith Piaf, and his admiring look at the genius of songwriter Johnny Mercer. In addition, this edition offers seven new essays that are no less accomplished. Here readers will find a wonderful tribute to "the sweetest voice in the world," Ella...

In this wise, stimulating, and deeply personal book, an eminent jazz chronicler writes of his encounters with four great black musicians: Dizzy Gillespie, Clark Terry, Milt Hinton, and Nat "King" Cole. Equal parts memoir, oral history, and commentary, each of the main chapters is a minibiography, weaving together conversations Gene Lees had with the musicians and their families, friends, and associates over a period of several decades.
Lees begins the book with an essay that tells of his introduction to the world of jazz and his reaction to racism in the United States when he emigrated...

Jazz: America's Classical Music is a delightful introduction and guide to this complex and compelling music and to its rich history. In an engaging and conversational style, renowned jazz teacher Grover Sales tells of the lives and music of the greats--Ellington, Tatum, Hawkins, Coltrane, Parker, Hines, Goodman, Armstrong, and many others--with a mix of important facts, fascinating anecdotes, and brilliant interpretations. Illustrated with astonishing photographs of the artists in performance, Jazz: America's Classical Music is a classic text, an ideal book for beginners and an...

In a series of candid interviews with jazz players, composers, and critics, Gene Lees explores racism in the past and present of jazz--both the white racism that for decades ghettoized black musicians and their music, and the prejudice that Lees documents of some black musicians against their white counterparts. With subjects ranging from Horace Silver to Dave Brubeck to Red Rodney, and a new introduction analyzing recent developments, Cats of Any Color chronicles jazz as a multiethnic art.

An engaging biography of a living musical legend, Oscar Peterson. A man Duke Ellington once called the " maharajah of the piano." Gene Lees carefully builds up the portrait of Peterson, his childhood and what it meant to be be black and talented in Montreal in the 1940s, hist three marriages and six children, his musical partners (Ray Brown, Herb Ellis and Ed Thigpen), his musical friends and colleagues (Ella Fitzgerald, Dizzy Gillespie, Art Tatum and Lester Young, amongst others) and the critical controversy and mythology that have long surrounded Peterson. This updated version has a new...

Best known for the "dead-ant" theme to the Pink Panther films, Henry Mancini also composed the music to Peter Gunn, Breakfast at Tiffany's, Orson Welles' Touch of Evil, and the Academy Award winning soundtracks to Victor/Victoria and The Days of Wine and Roses. In a career that lasted over thirty years, Mancini amassed twenty Grammy awards and more nominations than any other composer. In his memoir, written with jazz expert Lees, Mancini discusses his close friendships with Blake Edwards, Julie Andrews, and Paul Newman, his professional collaborations with Johnny Mercer, Luciano Pavarotti,...

Chet Atkins called Lenny Breau (1941-1984) "the greatest guitarist who ever walked the face of the earth." Breau's astonishing virtuosity influenced countless performers, but unfortunately it came at the expense of his personal relationships. Forbes-Roberts analyzes Breau and his recordings to reveal an enormously gifted man and the inner workings of his music. " A] thorough and fascinating biography, which includes a discography and analysis of Breau's recordings."-Toronto Globe and Mail "Forbes-Roberts does a credible job of depicting the variables that fostered Breau's total devotion to...