This book illuminates some of the challenges feminist German filmmakers face and offers original insights into their filmmaking practices. It considers the intersections of race, ethnicity, gender, class, and sexuality as these are cinematically represented, and discusses narrative, documentary, "art," and essay films from both West and East Germany before and after unification. Several essays treat films by well-known filmmakers, including R.W. Fassbinder, Jutta Bruckner, Ulrike Ottinger, Helke Sander, Helma Sanders-Brahms, Monika Treut, and Wim Wenders in ways that challenge the limits of...