Over a period of forty years, from 1947 to 1986, Margaret Laurence and Adele Wiseman wrote to each other constantly. The topics they wrote about were as wide-ranging as their interests and experiences, and their correspondence encompassed many of the varied events of their lives. Laurence's letters - of which far more are extant than Wisman's - reveal much about the impact of her years in Africa, motherhood, her anxieties and insecurities, and her developement as a writer. Wiseman, whose literary success came early in her career, provided a sympathetic ear and constant encouragement to...
Over a period of forty years, from 1947 to 1986, Margaret Laurence and Adele Wiseman wrote to each other constantly. The topics they wrote about we...
Fifth Business and Alligator Pie. Stephen Leacock, Grey Owl, and Morley Callaghan: these treasured Canadian books and authors were all nurtured by the Macmillan Company of Canada, one of the country's foremost twentieth-century publishing houses. The Literary Legacy of the Macmillan Company of Canada is a unique look at the contribution of publishers and editors to the formation of the Canadian literary canon.
Ruth Panofsky's study begins in 1905 with the establishment of Macmillan Canada as a branch plant to the company's London office. While concentrating...
Fifth Business and Alligator Pie. Stephen Leacock, Grey Owl, and Morley Callaghan: these treasured Canadian books and authors wer...
Miriam Waddington's verse is deceptively accessible: it is personal but never private, emotional but not confessional, thoughtful but never cerebral. The subtlety of her craft is the hallmark of a modernist poet whose work opens to the world and its readers. She details intoxicating romance and mature love, the pleasures of marriage and motherhood, the experience of raising two sons to adulthood, and the ineffable pain of divorce. As she moved through life, she wrote clearly and uncompromisingly about the vast sweep of Canada, her travels to new lands, the passage of time, the death of her...
Miriam Waddington's verse is deceptively accessible: it is personal but never private, emotional but not confessional, thoughtful but never cerebra...