What does it mean to oppose AIDS, to be at odds with AIDS? What kind of rupture with history does AIDS represent? How does AIDS and what is said about AIDS relate to gay identity? How does AIDS relate to thinking and acting, particularly deconstructive thinking? The author confronts these questions from a broad philosophical background that ranges from Kant, Nietzsche, Kierkegaard, and Heidegger to contemporary thought concerning gay activism and AIDS research, all brought together in an effort to find a philosophical language capable of doing justice to the singularity of lived experience in...
What does it mean to oppose AIDS, to be at odds with AIDS? What kind of rupture with history does AIDS represent? How does AIDS and what is said about...
Alexander Garcia Duttmann Alexander Garci Nicholas Walker
The Memory of Thought reconstructs the philosophy of Adorno and Heidegger in the light of the importance that these thinkers attach to two proper names: Auschwitz and Germanien. In Adorno's dialectical thinking, Auschwitz is the name of an incommensurable historical event that seems to put a provisional end to history as a negative totality. In Heidegger's thinking of Being, Germanien is a name inscribed in an historical mission on which the fate of Western civilization seems to depend: it thus becomes the name of a positive totality of history.
The Memory of Thought reconstructs the philosophy of Adorno and Heidegger in the light of the importance that these thinkers attach to two proper n...
Something needs to be changed--be it through the revolutionary overthrow of social conditions, the liberating force of passion, the contemplation and creation of works of art, or the exploration of an unresolved past. Luchino Visconti's films are models for the failure of such attempts. They show that this failure arises whenever people cling to possibilities that stand opposed to the reality of their lives. Does Adorno not write: -The place of utopia is blocked off by possibility, never by immediate reality-? Visconti: Insights into Flesh and Blood draws on aesthetics, film theory,...
Something needs to be changed--be it through the revolutionary overthrow of social conditions, the liberating force of passion, the contemplation and ...