How can we experience real emotions when viewing a movie or reading a novel or watching a play when we know the characters whose actions have this effect on us do not exist? This is a conundrum that has puzzled philosophers for a long time, and in this book Robert Yanal both canvasses previously proposed solutions to it and offers one of his own.
First formulated by Samuel Johnson, the paradox received its most famous answer from Samuel Taylor Coleridge, who advised his readers to engage in a "willing suspension of disbelief." More recently, philosophers have argued that we are...
How can we experience real emotions when viewing a movie or reading a novel or watching a play when we know the characters whose actions have this ...
How can we experience real emotions when viewing a movie or reading a novel or watching a play when we know the characters whose actions have this effect on us do not exist? This is a conundrum that has puzzled philosophers for a long time, and in this book Robert Yanal both canvasses previously proposed solutions to it and offers one of his own.
First formulated by Samuel Johnson, the paradox received its most famous answer from Samuel Taylor Coleridge, who advised his readers to engage in a "willing suspension of disbelief." More recently, philosophers have argued that we are...
How can we experience real emotions when viewing a movie or reading a novel or watching a play when we know the characters whose actions have this ...
This work discusses 12 Hitchcock films, and reads them as raising and putting forth a position on three problem areas of epistemology: deception, knowledge of mind, and problematic knowledge of the external world.
This work discusses 12 Hitchcock films, and reads them as raising and putting forth a position on three problem areas of epistemology: deception, know...
