One of Woolf's most experimental novels, The Waves presents six characters in monologue - from morning until night, from childhood into old age - against a background of the sea. The result is a glorious chorus of voices that exists not to remark on the passing of events but to celebrate the connection between its various individual parts.

The principal theme of this ambitious book is Time, threading together three generations of an upper-class English family, the Pargiters. The characters come and go, meet, talk, think, dream, grow older, in a continuous ritual of life that eludes meaning.

The Modern Library is proud to include Virginia Woolf's first novel, The Voyage Out--together with a new Introduction by Pulitzer Prize-winning novelist Michael Cunningham. Published to acclaim in England in 1915 and in America five years later, The Voyage Out marks Woolf's beginning as one of the twentieth century's most brilliant and prolific writers.
Less formally experimental than her later novels, The Voyage Out none-theless clearly lays bare the poetic style and innovative technique--with its multiple figures of consciousness, its detailed portraits of...

Written in a time when criminal biographies enjoyed great success, Daniel Defoe's Moll Flanders details the life of the irresistible Moll and her struggles through poverty and sin in search of property and power. Born in Newgate Prison to a picaresque mother, Moll propels herself through marriages, periods of success and destitution, and a trip to the New World and back, only to return to the place of her birth as a popular prostitute and brilliant thief. The story of Moll Flanders vividly illustrates Defoe's themes of social mobility and predestination, sin, redemption and reward....

You unlocked a drawer and took out a packet of papers. . . . Sometimes, you said, you got a letter which you could not bring yourself to burn; once or twice a Guildswoman had at your suggestion written a few pages about her life . . . Virginia Woolf to Margaret Llewelyn Davies, describing the circumstances leading to the publication of Life as We Have Known It

This book is the combined proceedings of the latest IFIP Formal Description Techniques (FDTs) and Protocol Specification, Testing and Verification (PSTV) series. It addresses FDTs applicable to communication protocols and distributed systems, with special emphasis on standardised FDTs. It features state-of-the-art in theory, application, tools and industrialisation of formal description.

"So of course," wrote Betty Flanders, pressing her heels rather deeper in the sand, "there was nothing for it but to leave." Slowly welling from the point of her gold nib, pale blue ink dissolved the full stop; for there her pen stuck; her eyes fixed, and tears slowly filled them. The entire bay quivered; the lighthouse wobbled; and she had the illusion that the mast of Mr. Connor's little yacht was bending like a wax candle in the sun. She winked quickly. Accidents were awful things. She winked again. The mast was straight; the waves were regular; the lighthouse was upright; but the blot had...

Purchase one of 1st World Library's Classic Books and help support our free internet library of downloadable eBooks. Visit us online at www.1stWorldLibrary.ORG - - "So of course," wrote Betty Flanders, pressing her heels rather deeper in the sand, "there was nothing for it but to leave." Slowly welling from the point of her gold nib, pale blue ink dissolved the full stop; for there her pen stuck; her eyes fixed, and tears slowly filled them. The entire bay quivered; the lighthouse wobbled; and she had the illusion that the mast of Mr. Connor's little yacht was bending like a wax candle in the...

Whatever hour you woke there was a door shunting. From room to room they went, hand in hand, lifting here, opening there, making sure - a ghostly couple. 'Here we left it," she said. And he added, 'Oh, but here too!" 'It's upstairs," she murmured. 'And in the garden," he whispered 'Quietly," they said, 'or we shall wake them." But it wasn't that you woke us. Oh, no. 'They're looking for it; they're drawing the curtain," one might say, and so read on a page or two. 'Now they've found it," one would be certain, stopping the pencil on the margin. And then, tired of reading, one might rise and...