Woolf s first and most popular volume of essays. This collection has more than twenty-five selections, including such important statements as Modern Fiction and The Modern Essay. Edited and with an Introduction by Andrew McNeillie; Index.
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An invaluable guide to the art and mind of Virginia Woolf, drawn by her husband from the personal record she kept over a period of twenty-seven years. Included are entries that refer to her own writing, others that are clearly writing exercises; accounts of people and scenes relevant to the raw material of her work; and comments on books she was reading. Edited and with a Preface by Leonard Woolf; Indices.

Virginia Woolf's intention to publish her short stories is carried out in this volume, posthumously collected by her husband, Leonard Woolf. Containing six of eight stories from Monday or Tuesday, seven that appeared in magazines, and five other stories, the book makes available Virginia Woolf's shorter works of fiction. Foreword by Leonard Woolf.

Woolf s first novel is a haunting book, full of light and shadow. It takes Mr. and Mrs. Ambrose and their niece, Rachel, on a sea voyage from London to a resort on the South american coast. It is a strange, tragic, inspired book whose scene is a South americanca not found on any map and reached by a boat which would not float on any sea, an americanca whose spiritual boundaries touch Xanadu and Atlantis (E. M. Forster).
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Here, in twenty-six essays, Woolf writes of English literature in its various forms, including the poetry of Donne; the novels of Defoe, Sterne, Meredith, and Hardy; Lord Chesterfield s letters and De Quincey s autobiography. She writes, too, about the life and art of women. Edited and with an Introduction by Andrew McNeillie; Index.
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"Mrs. Dalloway said she would buy the gloves herself. Big Ben was striking as she stepped out into the street. It was eleven o'clock and the unused hour was fresh as if issued to children on a beach."
-from "Mrs. Dalloway in Bond Street"
The landmark modern novel Mrs. Dalloway creates a portrait of a single day in the life of Clarissa Dalloway as she orchestrates the last-minute details of a grand party. But before Virginia Woolf wrote this masterwork, she explored in a series of fascinating stories a similar revelry in the mental and physical excitement of a party.
Wonderfully...

This first volume of its kind contains the complete text of and guide to Virginia Woolf's masterpiece, plus Mrs. Dalloway's Party and numerous journal entries and letters by Virginia Woolf relating to the book's genesis and writing. The distinguished novelist Francine Prose has selected these pieces as well as essays and appreciations, critical views, and commentary by writers famous and unknown. Now with additional scholarly commentary by Mark Hussey, professor of English at Pace University, this complete volume illuminates the creation of a celebrated story and the genius of its author....

Harcourt is proud to introduce new annotated editions of three Virginia Woolf classics, ideal for the college classroom and beyond. For the first time, students reading these books will have the resources at hand to help them understand the text as well as the reasons and methods behind Woolf's writing. We've commissioned the best-known Woolf scholars in the field to provide invaluable introductions, editing, critical analysis, and suggestions for further reading. These much-awaited volumes are the first of many annotated Woolf editions Harcourt plans on publishing in the coming years....

In A Room of One's Own, Virginia Woolf imagines that Shakespeare had a sister: a sister equal to Shakespeare in talent, equal in genius, but whose legacy is radically different.This imaginary woman never writes a word and dies by her own hand, her genius unexpressed. But if only she had found the means to create, urges Woolf, she would have reached the same heights as her immortal sibling. In this classic essay, Virginia Woolf takes on the establishment, using her gift of language to dissect the world around her and give a voice to those who have none. Her message is simple: A woman must have...

Begun as a "joke," Orlando is Virginia Woolf's fantastical biography of a poet who first appears as a sixteen-year-old boy at the court of Elizabeth I, and is left at the novel's end a married woman in the year 1928. Part love letter to Vita Sackville-West, part exploration of the art of biography, Orlando is one of Woolf's most popular and entertaining works. This new annotated edition will deepen readers' understanding of Woolf's brilliant creation.
Annotated and with an introduction by Maria DiBattista