As a novelist, essayist, dramatist, and poet, Judith Sargent Murray candidly and often humorously asserted her opinions about the social and political conditions of women in late eighteenth-century America. As a committed feminist, she urged American women to enter a "new era in female history," yet published her own writings under a man's name in hopes of more widely disseminating her ideas.

Murray published poems, essays, and plays regularly in the Massachusetts Magazine. Throughout this early work, Murray addressed various controversial topics, including female education,...

The first edition of the collected poetry and prose of the Restoration feminist, Mary, Lady Chudleigh (1656-1710), this volume includes The Ladies Defence as well as her final prose meditations. New biographical and bibliographical information in the Introduction revises the existing accounts of her life and literary career. The volume makes available for the first time the complete range of Chudleigh's literary experiments and calls for a reassessment of the image of the woman writer of the Restoration. A friend of John Dryden and Mary Astell, Chudleigh experimented with a variety...

Aemilia Lanyer (1569-1645) was the first woman poet in England who sought status as a professional writer. Her book of poems is dedicated entirely to women patrons. It offers a long poem on Christ's passion, told entirely from a woman's point of view, as well as the first country house poem published in England. Almost completely neglected until very recently, her work changes our perspective on Jacobean poetry and contradicts the common assumption that women wrote nothing of serious interest until much later. Mistress and friend of influential Elizabethan courtiers, Lanyer gives us a glimpse...

Novelist, religious dissident, political poet, and sometime Jacobite spy, Jane Barker wrote on a remarkable variety of subjects and displayed a facility with an equally remarkable variety of genres. Most extraordinary, though, was her ability to manipulate the objects of female domesticity, an embroidered patch-work screen for example, as literary conceits to rival those of her male contemporaries. "A Patch-Work Screen for the Ladies" (1723) and "The Lining of the Patch-Work Screen (1726), both part of The Galesia Trilogy, attest to her talents; they include realistic stories and...

When the midwife Jane Sharp wrote The Midwives Book in 1671, she became the first British woman to publish a midwifery manual. Drawing on works by her male contemporaries and weaving together medical information and lively anecdotes, she produces a book that is instructive, accessible, witty, and constantly surprising.

Eleanor Davies (1590-1652) was one of the most prolific women writing in early seventeenth-century England. This volume includes thirty-eight of the sixty-some prophetic tracts that she published. Inspired to prophecy by a visionary experience in 1625, the year of Charles I's accession to the throne, she devoted herself to warning her contemporaries that the Day of Judgement was imminent. Her zeal and her intricately constructed tracts confounded contemporaries who called her mad. She experienced repeated imprisonment and also confinement to Bedlam, London's mental hospital. The tracts tell...

Anna Weamys's A Continuation of Sir Philip Sidney's Arcadia is a woman's contribution to one of the dominant genres of her sex's readership in the seventeenth century: the heroic romance. Part of the considerable power and appeal of this work is its reduction of the heroic romance to a smaller scale. In its shorter length and its comparatively direct style, it avoids the fustian and bloat of the form. At the same time, it elaborates on the genre's stronger points--its playfulness and fantasy, its explorations of the nuances of sensibility--while not sacrificing its...

A Handbook of Literary Feminisms brings together for the first time two distinct threads of literary feminism: literary history and feminist criticism and theory. The first section of the book offers a history of women's contributions to Anglo-American literature over the past 500 years. It charts the social, cultural, and historical conditions that both shaped women's writing and prevented it from being recognized or valued by literary history. The second section provides an explanation and analysis of trends in feminist criticism and theory, focusing on how feminist approaches to...

After Aphra Behn, Eliza Haywood was the most important English female novelist of the early eighteenth century. She also edited several serial newspapers, the most important of which, the Female Spectator, was the first modern periodical written by a woman and addressed to a female audience. This fully annotated collection of articles selected from the Female Spectator includes romantic and satiric fiction, moral essays, and social commentary, covering the broad range of concerns shared by eighteenth-century middle-class women. Perhaps most compelling to a twentieth-century...

Aemilia Bassano Lanyer published poetry to and for women in 1611, at the height of the largely misogynistic reign of James I. Her verse complements and extends our view of her contemporaries, such as Spenser, Shakespeare, Jonson, and Donne, whose work in turn provides a context for her unique and engaging voice. This book situates Lanyer within the rich tradition of Jacobean poetry.