Distinguished philosopher Richard Wollheim's rich and thought-provoking account of the emotions considers what emotions are, how they arise in our lives, and how standard and "moral" emotions differ. Drawing on insights from literature, psychoanalysis, and philosophy, Wollheim argues that emotions form a distinct psychological category, not to be assimilated with either beliefs or desires.

In this distinguished book, first published in 1984, Richard Wollheim offers an original approach to the philosophical understanding of a person. Countering prevailing theories on the nature of persons, Wollheim submits an account of the mind dynamically conceived and proposes that we take as fundamental the process of living as a person. To illuminate this process, the author draws on psychoanalysis and literature, in particular the case studies of Freud and the writings of Proust. 'Wollheim's is a very original and extremely interesting approach to the philosophy of the mind, bringing...

Philosophers are increasingly coming to recognize the importance of Freudian theory for the understanding of the mind. The picture Freud presents of the mind's growth and organization holds implications not just for such perennial questions as the relation of mind and body, the nature of memory and personal identity, the interplay of cognitive and affective processes in reasoning and acting, but also for the very way in which these questions are conceived and an interpretation of the mind is sought. This volume of essays, by some of today's leading philosophers, explores all these topics, as...

The mind as it is manifested in philosophy and art, in the moral life and psychoanalysis, has always been at the core of Richard Wollheim's celebrated work. This book brings together Wollheim's broad and abiding concerns to illuminate human thought at its furthest reaches of introspection and expression. Interweaving philosophy, psychoanalysis, and aesthetics, these essays reveal the critical connections between ideas and disciplines too often regarded as separate and distinct.

Wollheims Buch faßt die in viele Einzeldiskussionen zersplitterte neuere Ästhetiktheorie zusammen und leistet eine Synthese, die auf einer ebenso großen Vertrautheit mit der traditionellen und heutigen Kunstphilosophie wie mit den Künsten, vor allem Malerei, Dichtung und Musik beruht; es schließt an Theorieprobleme an, wie sie u. a. durch Gombrich, Goodman - und Benjamin- dargestellt wurden.

Richard Wollheim's classic reflection on art considers central questions regarding expression, representation, style, the significance of the artist's intention and the essentially historical nature of art. Presented in a fresh series livery for the twenty-first century, with a specially commissioned preface written by Richard Eldridge, illuminating its continuing importance and relevance to philosophical enquiry, Art and its Objects continues to be a perceptive and engaging introduction to the questions and philosophical issues raised by works of art and the part they play in our culture and...