The selected poems of a legendary romantic. Described as 'Mad, bad and dangerous to know' by one of his lovers, Lady Caroline Lamb, Lord Byron was the quintessential Romantic. Flamboyant, charismatic and brilliant, he remains almost as notorious for his life - as a political revolutionary, sexual adventurer and traveller - as he does for his literary work. Yet he produced some of the most daring and exuberant poetry of the Romantic age, from 'To Caroline' and 'To Woman' to the satirical English Bards and Scotch Reviewers, his exotic Eastern tales and the colourful narrative of...
The selected poems of a legendary romantic. Described as 'Mad, bad and dangerous to know' by one of his lovers, Lady Caroline Lamb, Lord By...
Reflecting varieties of theory and practice in both verse and prose from the Middle Ages to the twenty-first century, these essays by many of America's leading literary scholars call for a reinvigorated formalism that can enrich literary studies, open productive routes of commerce with cultural studies, and propel cultural theory out of its thematic ruts.
This book reprints Modern Language Quarterly's highly acclaimed special issue Reading for Form, along with new essays by Marjorie Perloff, D. Vance Smith, and Susan Stewart, and a revised introduction by Susan Wolfson....
Reflecting varieties of theory and practice in both verse and prose from the Middle Ages to the twenty-first century, these essays by many of Ameri...
In The Cambridge Companion to Keats, leading scholars discuss Keats's work in several fascinating contexts: literary history and key predecessors; Keats's life in London's intellectual, aesthetic and literary culture and the relation of his poetry to the visual arts. These specially commissioned essays are sophisticated but accessible, challenging but lucid, and are complemented by an introduction to Keats's life, a chronology, a list of contemporary people and periodicals, a source reference for famous phrases and ideas articulated in Keats's letters, a glossary of literary terms and a guide...
In The Cambridge Companion to Keats, leading scholars discuss Keats's work in several fascinating contexts: literary history and key predecessors; Kea...
Opening with the revolution-era debates of the 1790s, Borderlines reads Romantic genders across a mobile syntax, tuned to such figures as the stylized "feminine" poetess, the aberrant "masculine" woman, male poets deemed "feminine" or "unmanly," the campy male "effeminate," and hapless or strategic cross-dressers of both sexes. With fresh readings of the works, careers, and volatile receptions of Mary Wollstonecraft, Felicia Hemans, M. J. Jewsbury, Lord Byron, and John Keats, Susan Wolfson shows how senses (and sensations) of gender shape and get shaped by sign systems that prove...
Opening with the revolution-era debates of the 1790s, Borderlines reads Romantic genders across a mobile syntax, tuned to such figures as the s...
The first standard edition of the writings of Felicia Hemans (1793-1835), this volume marks a revival of interest in, and a new critical appreciation of, one of the most important literary figures of the early nineteenth century. A best-selling poet in England and America, Felicia Hemans was regarded as leading female poet in her day, celebrated as the epitome of national "feminine" values. However, this same narrow perception of her work eventually relegated Hemans to an obscurity lightened occasionally by parody and a sentimental enthusiasm for poems such as "The Landing of the Pilgrim...
The first standard edition of the writings of Felicia Hemans (1793-1835), this volume marks a revival of interest in, and a new critical appreciati...
In Romantic Interactions, Susan J. Wolfson examines how interaction with other authors--whether on the bookshelf, in the embodied company of someone else writing, or in relation to literary celebrity--shaped the work of some of the best-known (and less well-known) writers in the English language.
Working across the arc of Long Romanticism, from the 1780s to the 1840s, this lively study involves writing by women and men, in poetry and prose. Combining careful readings with sophisticated literary, historical, and cultural criticism, Wolfson reveals how various writers came to...
In Romantic Interactions, Susan J. Wolfson examines how interaction with other authors--whether on the bookshelf, in the embodied company o...
In Romantic Interactions, Susan J. Wolfson examines how interaction with other authors--whether on the bookshelf, in the embodied company of someone else writing, or in relation to literary celebrity--shaped the work of some of the best-known (and less well-known) writers in the English language.
Working across the arc of Long Romanticism, from the 1780s to the 1840s, this lively study involves writing by women and men, in poetry and prose. Combining careful readings with sophisticated literary, historical, and cultural criticism, Wolfson reveals how various writers came to...
In Romantic Interactions, Susan J. Wolfson examines how interaction with other authors--whether on the bookshelf, in the embodied company o...
The star of Northanger Abbey is seventeen-year-old Catherine Morland, Jane Austen's youngest and most impressionable heroine. Away from home for the first time, on a visit to Bath with family friends, Catherine, a passionate consumer of novels (especially of the gothic variety), encounters a world in which everything beckons as a readable text: not only books, but also conversations and behaviors, clothes, carriages, estates, and vistas. In her lively introduction to this newest volume in Harvard's celebrated annotated Austen series, Susan Wolfson proposes that Austen's most...
The star of Northanger Abbey is seventeen-year-old Catherine Morland, Jane Austen's youngest and most impressionable heroine. Away from home...
