For more than five years award-winning photographer Geoff Winningham explored and photographed Buffalo Bayou, the Houston Ship Channel, and the landscape he found along the way. As he hiked and canoed the course of this historic stream, he found pristine stretches of the bayou still untouched by the encroaching city of Houston. He also found areas where the forces of nature and those of the growing city seemed to struggle for supremacy. He revisited sites of historic importance, such as Allen's Landing, where the city was founded in 1836, and the San Jacinto Battlefield, where Texas won its...

In a work of sweeping breadth and beauty, Geoff Winningham has created a profusely illustrated, contemplative travel journal that showcases his talent as both a photographer and a writer and reveals his affection and respect for the two countries he calls home. In 2003, photographer Geoff Winningham saw for the first time both the southern coast of Veracruz, with its volcanoes, rain forests, and steep mountains, and the Texas coast near High Island, where the land seems to stretch endlessly, covered by a sea of salt grass. He decided that these two visually striking areas could be the...

In this witty, thoughtful, and clear-eyed look at a place that has engaged the imaginations and energies of generations of Galvestonians, Texans, and others, writer M. Jimmie Killingsworth and photographer Geoff Winningham reflect on the various Galvestons--virtual and real, natural and artificial--that compete and overlap to create a location, a destination, and the defining experiences associated with "going to Galveston." From the tepid, still waters and steamy beaches of the Texas Gulf Coast to the computerized, air-conditioned seductions of places like Moody Gardens and the Rainforest...

In 1980, photographer Geoff Winningham and architect Cyrus Sutherland traveled extensively throughout Arkansas to locate and photograph examples of southern American vernacular architecture. They were working on a commission from the First Federal Savings and Loan of Arkansas, and after a year they had finished their project. But, with their interest piqued and enjoying their collaboration, they continued on with the project in hopes of amassing a collection of photographs of vernacular architecture from every region of the state. For two more years, Sutherland continued helping Winningham...