This is a lively study of the autobiographical instinct in a variety of 16th and 17th century modes of writing in English, from letters and memoirs to pastoral, polemic and street ballads. The book's central concern is how "selves" are "betrayed" in texts, particularly in the centuries before the autobiography was a recognized genre. It suggests that self-representation in the early modern period was often indirect, emerging in oblique and surprising ways.

During a period when writing was often the only form of self-expression for women, Her Own Life contains extracts from the autobiographical texts of twelve seventeenth-century women addressing a wide range of issues central to their lives.

This is the first comprehensive introduction to the works and social contexts of women writers in early modern Britain, a paradoxical period when it was considered unfeminine to write and yet women were the authors of many poems, translations, conduct books, autobiographies, plays, pamphlets and other texts. Leading scholars examine the history of women's role in and access to literary culture, and the work of individual women writers. A unique chronology offers a woman-centered perspective on historical and literary events, and there is a guide to further reading.

George Herbert (1593 1633) is widely regarded as the greatest devotional poet in the English language. His volume of poems, The Temple, published posthumously in 1633, became one of the most widely read and influential collections of the seventeenth century. Almost 400 years after they were first published in Cambridge by the 'printers to the Universitie', Cambridge University Press is pleased to present the definitive scholarly edition of Herbert's complete English poems, accompanied by extensive explanatory and textual apparatus. The text is meticulously annotated with historical, literary...

George Herbert (1593 1633) is widely regarded as the greatest devotional poet in the English language. His volume of poems, The Temple, published posthumously in 1633, became one of the most widely read and influential collections of the seventeenth century. Almost 400 years after they were first published in Cambridge by the 'printers to the Universitie', Cambridge University Press is pleased to present the definitive scholarly edition of Herbert's complete English poems, accompanied by extensive explanatory and textual apparatus. The text is meticulously annotated with historical, literary...

Twenty-two leading experts on early modern drama collaborate in this volume

to explore three closely interconnected research questions. To what extent did

playwrights represent dramatis personae in their entertainments as forming, or

failing to form, communal groupings? How far were theatrical productions likely

to weld, or separate, different communal groupings within their target audiences?

And how might such bondings or oppositions among spectators have tallied with

the community-making or -breaking on stage? Chapters in Part One respond...

This pioneering Handbook offers a comprehensive consideration of the dynamic relationship between English literature and religion in the early modern period. The sixteenth and seventeenth centuries were the most turbulent times in the history of the British church - and, perhaps as a result, produced some of the greatest devotional poetry, sermons, polemics, and epics of literature in English. The early-modern interaction of rhetoric and faith is addressed in thirty-nine chapters of original research, divided into five sections.

The first analyses the changes within the church from the...