Disfortune is not in the mainstream of American poetic speech, nor is it easily placed into any of the well-known poetic speech-camps that have arisen on its margins. Terse, haunting lyrics expose the irreducible contradictions of living, wherein "the talking-singing, the whole talking-/singing ball of yarn, begins to unravel." Deceptively casual in tone, these poems offer startling confrontations with "the unoriginal/oblivion," with "the contrived delicacy/of what is emptied and kept." Joe Wenderoth sees "fortune" as the mute history of events proceeding toward the ultimate security; his...
Disfortune is not in the mainstream of American poetic speech, nor is it easily placed into any of the well-known poetic speech-camps that have arisen...
In the epigraph to Joe Wenderoth's new volume of poetry, a herdsman, exhorted by Oedipus to speak the truth, replies "It is if I speak that I will be destroyed." Wenderoth's poetry is sparse, nihilistic -- and sometimes witty. Publishers Weekly wrote that, "Like Stevens, Wenderoth has a passion for philosophical ideas; at the same time he follows Williams' dictum: no ideas but in things. The result is poetry that is intellectually charged but whose final fidelity is to the senses." His new book has the dignity of a sincere and ferocious despair. In the narratives of these poems, "owing is...
In the epigraph to Joe Wenderoth's new volume of poetry, a herdsman, exhorted by Oedipus to speak the truth, replies "It is if I speak that I will be ...
Letters to Wendy's is an outrageous, tragic, genre-bending novel written over the course of a year on comment cards from the fast-food chain restaurant Wendy's. Through the letters, the book traces a year in the life and thoughts of an unnamed narrator obsessed not only by Biggies and Frosties, but also by consumerism, pornography, and mortality.
Letters to Wendy's is an outrageous, tragic, genre-bending novel written over the course of a year on comment cards from the fast-food chain...