For many years Eudora Welty wished to produce a book about country churchyards. Published at long last, in her ninety-first year, this book includes ninety of her photographs along with a conversation in which Welty shares her impressions and her memories of the 1930s and 1940s when she rambled through Mississippi cemeteries taking pictures. She recalls poignant and sometimes chilling experiences that occurred.

-I took a lot of cemetery pictures in my life, - she said. -For me cemeteries had a sinister...

William Hollingsworth, Jr., and Eudora Welty were Mississippi contemporaries who began their careers in the arts almost simultaneously. Just as the Great Depression struck the nation, both were finishing their educations in big cities--Welty at Columbia University in New York, Hollingsworth at the school of the Art Institute of Chicago.

This keepsake book uniting these two acclaimed Mississippi artists and their work gives the pleasure of encountering Welty as an art critic and of meeting an astonishingly talented painter she admired.

In 1958, after seeing a large posthumous...

The Mississippi river country from Vicksburg to Natchez was a source and a setting for several of Eudora Welty's early stories and for her novel The Robber Bridegroom. Her eloquent essay about this region, reprinted here with a selection of her black-and-white photographs, is a reflection on the development and history of these lands in the old American Southwest in a time before and in the years just after the Louisiana Purchase.

Originally published in Harper's Bazaar in 1944, this piece evokes both the elemental...

Eudora Welty (1909-2001) and William Faulkner (1897-1962) were almost unquestionably Mississippi's leading literary lions during the twentieth century. Their influence on American literature is immeasurable.

On William Faulkner brings together Welty's reviews, essays, lectures, and musings on Faulkner, including such gems as her reviews of Intruder in the Dust and The Selected Letters of William Faulkner, as well as her comments during her presentation of the Gold Medal to Faulkner during the National Institute of Arts and Letters awards ceremony in 1962. The...

Eudora Welty (1909-2001) and William Faulkner (1897-1962) were almost unquestionably Mississippi's leading literary lions during the twentieth century. Their influence on American literature is immeasurable.

On William Faulkner brings together Welty's reviews, essays, lectures, and musings on Faulkner, including such gems as her reviews of Intruder in the Dust and The Selected Letters of William Faulkner, as well as her comments during her presentation of the Gold Medal to Faulkner during the National Institute of Arts and Letters awards ceremony in 1962. The...

Eudora Welty (1909-2001), in her writing and in her conversation, had a dazzling and ironic wit. Many friends remember the laughter she provoked through her sense of the absurd. Early Escapades explores the initial manifestations of her comic and creative energy, from the poems of her adolescence to the promising parodies and caricatures she wrote and drew as a young adult. The compilation includes pen-and-ink drawings as well as caricatures, limericks, poems, essays, editorial pieces, and society notes written by the young Welty. The earliest example of her work here is a...

This companion publication to a marvelous exhibition at the Mississippi Museum of Art (from April 6 through June 30, 2002) presents a selection of Eudora Welty's black-and-white photographs taken in the 1930s and shows how this acclaimed writer's second career as a photographer produced works that rank favorably with the visual art of her contemporaries.

More than just a chronicle, this book features Welty among artists of her Deep South region (Walter Anderson, Richmond Barthe, William Hollingsworth Jr., Marie Hull, John McCrady, and Karl Wolfe) and from the nation...

When Arturo the Parrot, whose job it was to help greet people as they came into The Friendly Shoe Store, picked up and repeated a small boy's disgruntled comment, -Shoes are for the birds , - it certainly changed the course of his life. This is Eudora Welty's only book specifically written for young readers.

These forty-three photographs, taken in the 1930s and 1940s with three different cameras, illustrate both the formal and narrative skills of framing the world as only a great short story writer could. They show Eudora Welty (1909-2001) ardently pursuing an audience and honing her technique as she worked behind the lens. Considering light, design, texture, framing, and perspective, she experimented with composition. She tried different films, papers, and exposures, took shots from various angles and distances, and cropped and enlarged photographs in her kitchen darkroom. Then she waited...

Occasions is a celebration of the short works of one of America's most beloved writers. To mark the centennial of Eudora Welty's birth, Pearl Amelia McHaney has collected more than sixty pieces by Welty (1909-2001) that are largely unknown and have not been reprinted since their first appearances in magazines, journals, newsletters, and newspapers.

The gathering includes one of Welty's earliest stories, -Acrobats in the Park-; a self-analysis of her art printed in the Twenty Photographs portfolio; a recipe for Aunt Beck's Chicken Pie served up in the novel Losing...