Nobody's Home is a bold view of the American novel from its beginnings to the contemporary scene. Focusing on some of the deepest instincts of American life and culture--individual liberty, freedom of speech, constructing a life--Arnold Weinstein brilliantly sketches the remarkable career of the American self in some of the major works of the past one hundred fifty years. Weinstein contends that American writers are haunted by the twin specters of the self as a mirage, as Nobody, and by the brutal forces of culture and ideology that deny selfhood to people on the basis of money, sex,...
Nobody's Home is a bold view of the American novel from its beginnings to the contemporary scene. Focusing on some of the deepest instincts o...
"For too long we have been encouraged to see culture as an affair of intellect, and reading as a solitary exercise. But the truth is different: literature and art are pathways of feeling, and our encounter with them is social, inscribing us in a larger community.... Through art we discover that we are not alone." So writes the esteemed Brown University professor Arnold Weinstein in this brilliant, radical exploration of Western literature. In the tradition of Harold Bloom and Jacques Barzun, Weinstein guides us through great works of art, to reveal how literature constitutes nothing less...
"For too long we have been encouraged to see culture as an affair of intellect, and reading as a solitary exercise. But the truth is different: litera...
"A clear and straightforward discussion of the ways in which literatures and their comparative study must depend upon the problematics of interpersonal and other relations. . . . This study will prove as useful as it is wide-ranging, and indeed, comparative in the good sense."--Mary Ann Caws, Graduate School, City University of New York
"Here is a comparatist working at the peak of his powers. . . . Weinstein moves easily from Goethe and Flaubert to Kafka or Joyce or Boris Vian. Locating fictions of relationship at the heart of both literary criticism and human affairs' and...
"A clear and straightforward discussion of the ways in which literatures and their comparative study must depend upon the problematics of interpers...
The author charts the interaction between self and world through four major phases whereby the self initially has marginal status (the picaresque), begins to flourish and court recognition (Defoe, Marivaux, and Fielding), glows defiant and tries to impose its will on society and the other (Prevost, Richardson, Goethe, and Laclos), and finally makes a prophetic inward turn (Diderot, Sterne, and Rousseau). He shows how these phases also reflect the development of literature as it moves from mimetic to generative fiction, from the power of gesture to that of word.
Originally published...
The author charts the interaction between self and world through four major phases whereby the self initially has marginal status (the picaresque),...
"A clear and straightforward discussion of the ways in which literatures and their comparative study must depend upon the problematics of interpersonal and other relations. . . . This study will prove as useful as it is wide-ranging, and indeed, comparative in the good sense."--Mary Ann Caws, Graduate School, City University of New York
"Here is a comparatist working at the peak of his powers. . . . Weinstein moves easily from Goethe and Flaubert to Kafka or Joyce or Boris Vian. Locating fictions of relationship at the heart of both literary criticism and human affairs' and...
"A clear and straightforward discussion of the ways in which literatures and their comparative study must depend upon the problematics of interpers...
