In Weber's third novel--classic storytelling in a contemporary mode--three adolescent sisters (Meg, Jo, and Amy) are shocked when they discover their mother's affair and their parents' failure to live up to the moral standards and values of the family.
In Weber's third novel--classic storytelling in a contemporary mode--three adolescent sisters (Meg, Jo, and Amy) are shocked when they discover their ...
By the time she dies at age 106, Esther Gottesfeld, the last survivor of the Triangle Shirtwaist fire, has told the story of that day many times. But her own role remains mysterious: How did she survive? Are the gaps in her story just common mistakes, or has she concealed a secret over the years? As her granddaughter seeks the real story in the present day, a zealous feminist historian bears down on her with her own set of conclusions, and Esther's voice vies with theirs to reveal the full meaning of the tragedy.
A brilliant chronicle of the event that stood for ninety years as New...
By the time she dies at age 106, Esther Gottesfeld, the last survivor of the Triangle Shirtwaist fire, has told the story of that day many times. B...
"She's beautiful," writes Irish-American art historian Patricia Dolan in the first of the journal entries that form The Music Lesson. "I look at my face in the mirror and it seems far away, less real than hers." The woman she describes is the subject of the stolen Vermeer of the novel's title. Patricia is alone with this exquisite painting in a remote Irish cottage by the sea. How she arrived in such an unlikely circumstance is one part of the story Patricia tells us: about her father, a policeman who raised her to believe deeply in the cause of a united Ireland; the art history career...
"She's beautiful," writes Irish-American art historian Patricia Dolan in the first of the journal entries that form The Music Lesson. "I look at my fa...
