The death of Edmond Jabes in January 1991 silenced one of the most compelling voices of the postmodern, post-Holocaust era. Jabes's importance as a thinker, philosopher, and Jewish theologian cannot be overestimated, and his enigmatic style--combining aphorism, fictional dialogue, prose meditation, poetry, and other forms--holds special appeal for postmodern sensibilities.

In The Book of Margins, his most critical as well as most accessible book, Jabes is again concerned with the questions that inform all of his work: the nature of writing, of silence, of God and the Book. Jabes...

The late Edmond Jabes was a major voice in French poetry in the latter half of this century. An Egyptian Jew, he was haunted by the question of place and the loss of place in relation to writing. He focused on the space of the book, seeing it as the true space in which exile and the promised land meet in poetry and in question. Jabes's mode of expression has been variously described: a new and mysterious kind of literary work - as dazzling as it is difficult to define, cascading aphorisms, a theater of voices in a labyrinth of forms. The manner of his writing embodies the meaning of his...

Incisive essays on modern poetry and translation by a noted poet, translator, and critic.

As an immigrant to the United States from Germany, Rosmarie Waldrop has wrestled with the problems of language posed by the discrepancies between her native and adopted tongues, and the problems of translating from one to the other. Those discrepancies and disjunctions, instead of posing problems to be overcome, have become for Waldrop a generative force and the very foundation of her interests as a critic and poet.

In this comprehensive collection of her essays, Waldrop addresses...

The Book of Questions, of which volumes IV, V, VI are together published here, is a meditative narrative of Jewish Experience, and, more generally, man's relation to the world. In these volumes the word is personified in the woman Yael, silence in her still-born child Elya. Even though words imply ambiguity and lies, they are the home of the exile. A book becomes the Book, fragments of the law that are in some way unified, where past and present, the visionary, and the common place, encounter each other. For Jabes every word is a question in the book of being. Man defines himself in the world...

"To take the wrong door means indeed to go against the order that presided over the plan of the house, over the layout of the rooms, over the beauty and rationality of the whole. But what discoveries are made possible for the visitor The new path permits him to see what no one other than himself could have perceived from that angle. All the more so because I am not sure that one can enter a written work without having forced one's own way in first." - from In Place of a Foreword

Edmond Jabes (1912-1991) is widely regarded as one of France's most important writers of the 20th century. Born in Cairo, he settled in France after being expelled from Egypt with other Jews during the 1956 Suez Crisis. Rosmarie Waldrop is Jabes's primary English translator. Over the course of her long association and friendship with Jabes, Waldrop developed a very nuanced understanding of his work that in turn influenced her development as both writer and translator. Lavish Absence is a book-length essay with a triple focus: it is a memoir of Jabes as Waldrop knew him, it is both an homage...

With the title of her latest collection, Love, Like Pronouns, Waldrop demonstrates with deft humor the relational aspects of any discourse. And, she implicitly suggests the similar slipperiness in human emotion and in human speech, as both the love object and the pronoun's referent easily shift with, even because of any attempt to articulate it. The title also subtly resonates with Waldrop's admiration for other writers, as well as demonstrates her awareness that each act of writing occurs in relation to--and within--the environment of other writings, past and present. In this collection,...