Containing more than 125 photos and a detailed filmography, this book illuminates a director who has finally come into his own.

An anthology on film noir, this book contains early writings on the genre as well as more recent literature, some published here for the first time. The book includes eight essays which classify and analyze the period and its product, case studies of individual films and filmakers, and new material which considers such issues as narrative structure, the femme fatale, the influence of film noir on early television, and the rebirth of the genre in the neo-noir films of more recent times.

(Limelight). Generously includes film stills and essays on crime films, The Postman Always Rings Twice, "Hitchcock's Noir Landscape," "Samuel Fuller's Tabloid Cinema," "Son of Noir," "Noir Science," "Girl Power: Female Centered Neo-Noir," and "Abstract Expressionism and Film Noir."

Containing essays from the 1950s alongside contemporary writing, this reader explores the development of the genre of the horror film from the days of the silent movie, right up to the end of the 20th century with consideration of films such as Scream 3.

(Limelight). The earlier Film Noir Readers, which now boast a combined sale of well over 30,000 copies, have all quite deliberately conveyed a sweeping overview of the classic period, demonstrating how broad and inclusive noir movies are. Film Noir Reader 4 moves in a different direction. Its purpose is to identify the key films and motifs of noir and to analyze in depth the prototypical pictures that, while vivid examples of certain cinematic themes, bend and break their molds to find new ways to enthrall and frighten us. Like its predecessors, Film Noir Reader 4 is generously illustrated...

The Modern Amazons: Warrior Women on Screen documents the public's seemingly insatiable fascination with the warrior woman archetype in film and on television. The book examines the cautious beginnings of new roles for women in the late fifties, the rapid development of female action leads during the burgeoning second-wave feminist movement in the late sixties and seventies, and the present-day onslaught of female action characters now leaping from page to screen. The book itself is organized into chapters that group women warriors into sub-genres, e.g., classic Amazons like Xena Warrior...

In the 1930s the gangster film in the United States coincided with a very real and very sensational gangsterism at large in American society. Little Caesar (1931), The Public Enemy (1931), and Scarface (1932) borrowed liberally from the newspapers and books of the era. With the release of just these three motion pictures in barely more than a year's time, Hollywood quintessentially defined the genre. The characters, the situations, and the icons-from fast cars and tommy-guns to fancy fedoras and fancier molls-established the audience expectations associated with the gangster film that remain...

Cinema of Obsession traces the history of obsessive love and erotic fixation. Seminal works of obsession, The Blue Angel, Peter Ibbetson, and Phantom of the Opera are seen as setting the groundwork for films that follow. The book defines and surveys examples of the explosive nature of amour fou, issues of male control (no matter how tenuous), and the fugitive couple - love on the run - in such films as Romeo and Juliet, Last Tango in Paris, Vertigo, Basic Instinct, and Wild at Heart. Male masochism is explored through film noirs, including Criss Cross, The Killers, Gilda, and The Postman...

The third in the Film Noir series. Directors, producers and actors of film noir tell how it is done. Many film stills are included.

Noted film noir authority James Ursini (The Film Noir Reader series, L.A. Noir, and numerous DVD commentaries) analyzes the work of five underrated independent directors--Hugo Haas, Reginald LeBorg, Ida Lupino, Gerd Oswald, and Edgar G. Ulmer. This lavishly illustrated study examines their films as works of art and their careers as outsiders who directed films on the edge of Hollywood and paved the way for the modern American independent film movement.