Michael Urban chronicles the advent of blues music in Russia and explores the significance of the genre in the turbulent, postcommunist society. Russians, he explains, have taken a music originating in the "low" culture of the American South and transformed it into an object of "high" culture, fashioning a social identity that distinguishes blues adherents from both the discredited Soviet past and the vulgar consumerism associated with the country's Westernization. While adapting the idiom to their own conditions, Russia's bliuzmeny (bluesmen) have absorbed the blues ethos encoded in the...

Michael Urban chronicles the advent of blues music in Russia and explores the significance of the genre in the turbulent, postcommunist society. Russians, he explains, have taken a music originating in the "low" culture of the American South and transformed it into an object of "high" culture, fashioning a social identity that distinguishes blues adherents from both the discredited Soviet past and the vulgar consumerism associated with the country's Westernization. While adapting the idiom to their own conditions, Russia's bliuzmeny (bluesmen) have absorbed the blues ethos encoded in the...

The control of office has long been regarded as the key to understanding power and policy in the Soviet system. What, however, accounts for this control of office? Numerous conventional studies have addressed this question by focusing on the individuals who make up the Soviet elite at one time or another. This book adopts a different perspective by treating the personnel system itself as a set of power relations that govern the mobility of the individuals within it. Using the Belorussian Republic as the site of the investigation, the author analyzes the movements of individuals as sequences...