From the moment Katherine Anne Porter arrived on the American literary scene in 1922, the public was intrigued with her life. Yet she herself revealed only scant facts of her background and often gave conflicting accounts. She maintained, though, that a germ of her own experience lay at the core of everything she wrote.
In Katherine Anne Porter: The Life of an Artist, Darlene Harbour Unrue finds that Porter's deceptions were a screen for deep personal turmoil. With unprecedented access to archival and personal papers, Unrue brings much new information to light. Porter's maternal...
From the moment Katherine Anne Porter arrived on the American literary scene in 1922, the public was intrigued with her life. Yet she herself revea...
Between 1920 and 1958 Katherine Anne Porter published more than sixty-five book review, many of which are now largely inaccessible. Although several such pieces have appeared in earlier collections of Porter's nonfiction writings, never have so many of Porter's reviews--nearly fifty--been made available in a single volume. Collectively the review reveal Porter's opinions on topics ranging from the nature of art and the place of the artist in politics and society to feminism and the role of female artists. Particularly evident in the reviews are the critical principles that guided her own...
Between 1920 and 1958 Katherine Anne Porter published more than sixty-five book review, many of which are now largely inaccessible. Although severa...
My stories are fragments of a larger plan, Katherine Anne Porter once wrote. And on another occasion she praised a critic who perceived that all her work, from the very beginning, was part of an "unbroken progression, all related."
In "Truth and Vision in Katherine Anne Porter's Fiction," Darlene Unrue examines the encompassing themes that underlie Porter's shorter fiction and that combined to create the haunting events of her complex metaphorical novel, "Ship of Fools." Porter believed that men and women are compelled toward discovering the truth about their existence, but that the...
My stories are fragments of a larger plan, Katherine Anne Porter once wrote. And on another occasion she praised a critic who perceived that all he...
Katherine Anne Porter (1890-1980) produced a relatively small body of fiction, but she wrote thousands and thousands of letters. The present selection of 135 unexpurgated letters, written to seventy-four different persons, begins with a 1916 letter written from a tuberculosis sanatorium in Texas and ends with a 1979 letter dictated to an unnamed nursing-home attendant in Maryland. Different from any previous selection, this body of letters does not omit Porter's frank criticism of fellow writers and spans her entire life. Within that circumscription is the chronicle of Porter, a...
Katherine Anne Porter (1890-1980) produced a relatively small body of fiction, but she wrote thousands and thousands of letters. The present select...
Katherine Anne Porter (1890-1980) produced a relatively small body of fiction, but she wrote thousands and thousands of letters. The present selection of 135 unexpurgated letters, written to seventy-four different persons, begins with a 1916 letter written from a tuberculosis sanatorium in Texas and ends with a 1979 letter dictated to an unnamed nursing-home attendant in Maryland. Different from any previous selection, this body of letters does not omit Porter's frank criticism of fellow writers and spans her entire life. Within that circumscription is the chronicle of Porter, a...
Katherine Anne Porter (1890-1980) produced a relatively small body of fiction, but she wrote thousands and thousands of letters. The present select...