For more than a century the history of the American Frontier, particularly the West, has been the speciality of the Arthur H. Clark Company. We publish new books, both interpretive and documentary, in small, high-quality editions for the collector, researcher, and library.

This thoroughly researched and superbly written book combines history, myth, folklore, and fiction to tell the story not only of the buffalo but of the relationship between buffalo and man on the North American continent. Synthesizing larger and longer histories of this unique animal, this book traces the history of the buffalo from the time it led man to North America, fed him, clothed him, and housed him. As buffalo increased in numbers, they became central to the culture of the Great Plains Indians who lived surrounded by them. Much of the Indian way of life was related to knowledge of and...

This eclectic collection pulls together some of the best presentations made at the North American Print Conference held in Austin, Texas. Focusing on the printing arts in Texas, this group of leading scholars and authorities covered a wide range of subjects from early lithography and photography in Texas to today's armadillo posters and T-shirts. The high arts and popular culture alike are treated in this broad overview of prints and printmaking on the Texas frontier and in its urban centers.
Contributors:
- R. Pearce-Moses, "From Niepce to Now: Thirty Million Photographs in Texas"...

"The War ""Between"" the United States and Mexico, Illustrated," originally published in 1851, was easily the most beautiful nineteenth-century publication relating to the early history of Texas. It was also one of the most historically significant because of its widespread dissemination and because of the reputation of George Wilkins Kendall, editor of the New Orleans "Picayune" and first American war correspondent. It contains a brief history of the war and twelve hand-colored lithographs based on paintings by artist Carl Nebel. This handsome full-color facsimile of the original reproduces...

It is a land of contrast, of far-spreading plains and high-reaching canyon walls, and of air stretched thin--a land made for painting, not, perhaps, for living. Intrigued by the danger, the drama, and the savage light of this land of geological upheaval and downcutting, artists have long been drawn to the far west of Texas. The forty-nine paintings selected for this volume display the variety, the majesty, the glory of this vast region.
It is indeed a natural studio for artists. Space and scale are there--the broad horizontals of the open plains and the stark verticals of the sheer...

The rugged land of Texas' Big Bend region is legendary. Towering mountains, austere desert, canyons, and rivers converge in a place of beauty, loneliness, and adventure. Fort Worth artist Dennis Blagg began painting landscapes from the Big Bend twenty years ago. His breathtaking, near-photorealistic portraits of this remote mountain desert are as big as the landscape itself--some of the paintings are ten feet long and four feet wide.

Through his work, Blagg brings the viewer both the beauty and the hostility of West Texas. Blagg has a fascination with and love for his "ever-changing"...

Many defenders of slavery have maintained that the slaves in Texas were well-treated and happy, but as a former slave remarked, "Tisn't he who has stood and looked on, that can tell you what slavery is--'tis he who has endured." Here are the tales of those who have endured--a collection of the voices of the ex- slaves themselves, recalling what their lives were like under slavery. Over one hundred former slaves describe their slavemasters, their work, runaway slaves, their recollections of the Civil War and, finally, the coming of freedom. The narratives were collected by WPA interviewers in...