The World Wide Web is the most well-known, celebrated, and promoted contemporary manifestation of 'cyberspace'. To date, however, most of the public discourse on the Web falls into the category of explanatory journalism - the Web has remained largely unmapped in terms of contemporary cultural research. This book, however, begins that mapping by bringing together more than a dozen well-known scholars across the humanities and social sciences to explore the Web as a cultural technology characterized by a nexus of economic, political, social, and aesthetic forces. Engaging the thematic issues of...

Engaging the thematic issues of the Web as a space where magic, metaphor, and power converge, the chapters cover such subjects as The Web and Corporate Media Systems, Conspiracy Theories and the Web; The Economy of Cyberpromotion, The Bias of the Web, The Web and Issues of Gender, and so on.

Original essays by leading scholars in the field of popular music studies map the competing perspectives on the key terms of contemporary debates on popular music and culture. Each essay describes the history of continuities and conflicts in a term's meaning, situating the writer's own position on the term in that history of debate.

Providing a invaluable overview of the current state of popular music discourse, the collection will be useful both to those new to the study of popular music and those already well-versed in popular music and cultural studies.

Visit the Unspun website which includes Table of Contents and the Introduction.

The World Wide Web has cut a wide path through our daily lives. As claims of -the Web changes everything- suffuse print media, television, movies, and even presidential campaign speeches, just how thoroughly do the users immersed in this new technology understand it? What, exactly, is the Web changing? And how might we participate in or even direct Web-related change?

Intended for readers new to studying the Internet, each chapter in Unspun addresses a different aspect of the -web...