Paul Riesman's "Freedom in Fulani Social Life" is based upon his two years of residence among the Jelgobe, a group of semi-nomadic Fulani of the Sahel in Upper Volta, western Africa. Since its original publication, this classic study has profoundly influenced the field of anthropology through its re-examination of the enthnographer's personal input on his research. ""Freedom in Fulani Social Life" richly documents how the ethnographer's own personal and cultural background is implicated in the research process. . . . For this reason, Riesman's] book will be of paramount interest to all...
Paul Riesman's "Freedom in Fulani Social Life" is based upon his two years of residence among the Jelgobe, a group of semi-nomadic Fulani of the Sahel...
Issa Boureima is a young, hip African street vendor who sells knock-off designer bags and hats in an open-air market on 125th street in Harlem. His goal is to become a "Jaguar" a West African term for a keen entrepreneur able to spot trends and turn a profit in any marketplace. This dynamic world, largely invisible to mainstream culture, is the backdrop of this timely novel. Faced with economic hardship in Africa, Issa has left his home in Niger and his new wife, Khadija, to seek his fortune in America. Devout Muslims, the couple has entered into a "modern" marriage: Khadija is permitted...
Issa Boureima is a young, hip African street vendor who sells knock-off designer bags and hats in an open-air market on 125th street in Harlem. His go...
Issa Boureima is a young, hip African street vendor who sells knock-off designer bags and hats in an open-air market on 125th street in Harlem. His goal is to become a "Jaguar" a West African term for a keen entrepreneur able to spot trends and turn a profit in any marketplace. This dynamic world, largely invisible to mainstream culture, is the backdrop of this timely novel. Faced with economic hardship in Africa, Issa has left his home in Niger and his new wife, Khadija, to seek his fortune in America. Devout Muslims, the couple has entered into a "modern" marriage: Khadija is permitted...
Issa Boureima is a young, hip African street vendor who sells knock-off designer bags and hats in an open-air market on 125th street in Harlem. His go...
In February 1999 the tragic New York City police shooting of Amadou Diallo, an unarmed street vendor from Guinea, brought into focus the existence of West African merchants in urban America. In Money Has No Smell, Paul Stoller offers us a more complete portrait of the complex lives of West African immigrants like Diallo, a portrait based on years of research Stoller conducted on the streets of New York City during the 1990s. Blending fascinating ethnographic description with incisive social analysis, Stoller shows how these savvy West African entrepreneurs have built cohesive and...
In February 1999 the tragic New York City police shooting of Amadou Diallo, an unarmed street vendor from Guinea, brought into focus the existence of ...
The tale of Paul Stoller's sojourn among sorcerors in the Republic of Niger is a story of growth and change, of mutual respect and understanding that will challenge all who read it to plunge deeply into an alien world.
The tale of Paul Stoller's sojourn among sorcerors in the Republic of Niger is a story of growth and change, of mutual respect and understanding that ...
"This ethnography is more like a film than a book, so well does Stoller evoke the color, sight, sounds, and movements of Songhay possession ceremonies."--Choice "Stoller brilliantly recreates the reality of spirit presence; hosts are what they mediate, and spirits become flesh and blood in the 'fusion' with human existence. . . . An excellent demonstration of the benefits of a new genre of ethnographic writing. It expands our understanding of the harsh world of Songhay mediums and sorcerers."--Bruce Kapferer, American Ethnologist "A vivid story that will appeal to a wide...
"This ethnography is more like a film than a book, so well does Stoller evoke the color, sight, sounds, and movements of Songhay possession ceremonies...
The most prolific ethnographic filmmaker in the world, a pioneer of cinema verite and one of the earliest ethnographers of African societies, Jean Rouch (1917-) remains a controversial and often misunderstood figure in histories of anthropology and film. By examining Rouch's neglected ethnographic writings, Paul Stoller seeks to clarify the filmmaker's true place in anthropology. A brief account of Rouch's background, revealing the ethnographic foundations and intellectual assumptions underlying his fieldwork among the Songhay of Niger in the 1940s and 1950s, sets the stage for his...
The most prolific ethnographic filmmaker in the world, a pioneer of cinema verite and one of the earliest ethnographers of African societies, Jean Rou...
The most prolific ethnographic filmmaker in the world, a pioneer of cinema verite and one of the earliest ethnographers of African societies, Jean Rouch (1917-) remains a controversial and often misunderstood figure in histories of anthropology and film. By examining Rouch's neglected ethnographic writings, Paul Stoller seeks to clarify the filmmaker's true place in anthropology. A brief account of Rouch's background, revealing the ethnographic foundations and intellectual assumptions underlying his fieldwork among the Songhay of Niger in the 1940s and 1950s, sets the stage for his...
The most prolific ethnographic filmmaker in the world, a pioneer of cinema verite and one of the earliest ethnographers of African societies, Jean Rou...
A study of the West African Hauka - spirits that grotesquely mimic and mock "Europeans" of the colonial epoch. The author considers spirit possession as a set of embodied practices with serious social and cultural consequences. Embodying Colonial Memories is the first in-depth study of the West African Hauka, spirits in the body of (human) mediums which mimic and mock Europeans of the colonial epoch. Paul Stoller, who was initiated into a spirit possession troupe, recounts an insider's tale of the Hauka with respect and "brotherly"...
A study of the West African Hauka - spirits that grotesquely mimic and mock "Europeans" of the colonial epoch. The author considers spirit possession ...
Anthropologists who have lost their senses write ethnographies that are often disconnected from the worlds they seek to portray. For most anthropologists, Stoller contends, tasteless theories are more important than the savory sauces of ethnographic life. That they have lost the smells, sounds, and tastes of the places they study is unfortunate for them, for their subjects, and for the discipline itself.
"The Taste of Ethnographic Things" describes how, through long-term participation in the lives of the Songhay of Niger, Stoller eventually came to his senses. Taken together, the...
Anthropologists who have lost their senses write ethnographies that are often disconnected from the worlds they seek to portray. For most anthropol...
