Elizabeth Stoddard Sandra A. Zagarell Lawrence Buell
Elizabeth Stoddard combines the narrative style of the popular nineteenth-century male-centered bildungsroman with the conventions of women's romantic fiction in this revolutionary exploration of the conflict between a woman's instinct, passion, and will, and the social taboos, family allegiances, and traditional New England restraint that inhibit her. Set in a small seaport town (1862), The Morgesons is the dramatic story of Cassandra Morgeson's fight against social and religious norms in a quest for sexual, spiritual, and economic autonomy. An indomitable heroine, Cassandra not only...
Elizabeth Stoddard combines the narrative style of the popular nineteenth-century male-centered bildungsroman with the conventions of women's romantic...
"Stoddard was, next to Melville and Hawthorne, the most strikingly original voice in the mid-nineteenth-century American novel, a voice . . . that ought to gain a more sympathetic and perceptive hearing in our time than in her own."--from the Introduction
The centerpiece of this volume is The Morgesons (1862), one of the few outstanding feminist bildungsromanae of that century. Additional selections include arresting short stories and provocative journalistic essays/reviews, plus a number of letters and manuscript journals that have never before been published. The texts are...
"Stoddard was, next to Melville and Hawthorne, the most strikingly original voice in the mid-nineteenth-century American novel, a voice . . . that ...
We first meet Jason Auster when he climbs out of a stagecoach in a New England maritime town and, as it were, salutes destiny. A twenty-year-old house carpenter who has come adventuring, Jason hopes to "put in practice certain theories concerning the rights of men and property which had already made him a pest at home." And, indeed, theory and practice, destiny and self-determination are all following quite different paths as this antebellum story of love and power, incest and family honor, and sexual bonds and intractable conflicts between races and classes plays out against the backdrop of...
We first meet Jason Auster when he climbs out of a stagecoach in a New England maritime town and, as it were, salutes destiny. A twenty-year-old house...
...I suppose it was environment that caused me to write these novels; but the mystery of it is, that when I left my native village I did not dream that imagination would lead me there again, for the simple annals of our village and domestic ways did not interest me; neither was I in the least studious. My years were passed in an attempt to have a good time, according to the desires and fancies of youth. Of literature and the literary life, I and my tribe knew nothing; we had not discovered "sermons in stones." Where then was the panorama of my stories and novels stored, that was unrolled in...
...I suppose it was environment that caused me to write these novels; but the mystery of it is, that when I left my native village I did not dream tha...
