Professor Stern seeks to expose the roots of the Hitler myth. He performs thoroughly and brilliantly the examination that Kenneth Burke saw as a crying need on the brink of World War II. The questions Professor Stern asks are fundamental and still of the first importance in our own society. How could a predominantly sober, hardworking, and well-educated nation be persuaded to follow Hitler and his inhuman and destructuve program? What was the source of his immense popularity? Why were his public utterances so powerfully persuasive? What were the shared assumptions behind "The Final Solution,"...

This book, completed shortly before Peter Stern's death in 1991, studies works by twelve major writers of German modernism, including Thomas Mann, Musil, Brecht and Rilke, in relation to the history of the twentieth century.

Conrad's great novel is a rich study not only of a typical South American country, but of the politics of any underdeveloped country, and for this reason it is permanently topical. Ian Watt addresses Conrad's concerns when writing the work, and provides an accessible introduction, taking account of background, history and politics, and reception and influence.

This up-to-date account of the novel's composition, structure, and achievement provides readers with the literary and historical knowledge needed to make sense of the text. Professor Bellos explains how Balzac challenged prevailing nineteenth-century expectations of what novels should be like.

Dr Wood traces in detail the frequently paradoxical development of themes and situations introduced in the opening chapters and lays stress on the novel's intricate writing. He places the book in its historical, intellectual and biographical context and examines its reception by writers as various as Stendhal, George Eliot, and Tolstoy.

This new critical introduction to Gulliver's Travels provides a fresh and impartial account of this world-famous satire. It presents Swift's work in its historical and literary context, and explores its allusions, its four-part structure, its narrative strategy and its prose style. A final chapter sketches the fictional aftermath of the Travels from the eighteenth to the twentieth century, and there is a guide to further reading.

Stendhal's great novel The Red and the Black, published in 1830, is seen as one of the most distinguished monuments of literary realism. In this introductory study, Stirling Haig shows how this realism derives from the incorporation of both history and legal reportage into the novel, and how it combines autobiography with mimesis. Professor Haig locates the novel in the context of Stendhal's own experiences as a Commissariat officer in the Napoleonic army, journalist, opera-lover, salon dandy and traveller in Italy and Restoration France, and highlights the constant inter-penetration of...

A comprehensive introduction to Middlemarch, offering both general information and an original interpretation. It pays considerable attention to the intellectual and social context surrounding Middlemarch, and situates the work within nineteenth-century traditions of the novel in England and Europe. Karen Chase gives particular emphasis to the Woman Question in Middlemarch.

This is the first critical study of Sons and Lovers to engage with the new Cambridge edition, which prints for the first time the whole text that Lawrence wrote, restoring the sustantial cuts made by the first editor. Michael Black gives special attention to the genesis of the book--the writing and editing processes, where Jessie Chambers and then Edward Garnett made decisive interventions. He analyzes Sons and Lovers in detail, relates it to Lawrence's other works, and traces the history of its reception. Historical context and a guide to further reading are also provided.

In Doktor Faustus, his last major novel, Thomas Mann attempted to interpret and judge Germany's role in European culture and history since the Reformation. In this study, Michael Beddow analyzes the chief historical, theological, psychological and musical themes of this complex work, and considers Mann's indebtedness to the Faust tradition, Nietzsche, and neo-Marxism. He concludes with an account of the novel's generally hostile reception in defeated Germany. The book also includes a chronological table and a guide to further reading.