Language Machines questions any easily progressive model of technological change, demonstrating the persistence rather than the obsolescence of language technologies over time, the continuous and complicated overlap of pens, presses, screens and voice. In these essays new technologies do not simply replace, but rather draw upon, absorb, displace and resituate earlier technologies.

This collection of essays brings together leading scholars of the early modern period, and offers a new focus on the literature and culture of the Renaissance. Traditionally, Renaissance studies has concentrated on the human subject; the essays collected here bring objects--purses, clothes, tapestries, houses, maps, feathers, tools, skulls--back into view. Subject and Object in Renaissance Culture puts things back into relation with people, eliciting not only new critical readings of key texts, but also new configurations of Renaissance culture.

This collection of essays brings together leading scholars of the early modern period, and offers a new focus on the literature and culture of the Renaissance. Traditionally, Renaissance studies has concentrated on the human subject; the essays collected here bring objects--purses, clothes, tapestries, houses, maps, feathers, tools, skulls--back into view. Subject and Object in Renaissance Culture puts things back into relation with people, eliciting not only new critical readings of key texts, but also new configurations of Renaissance culture.

In Renaissance Clothing and the Materials of Memory Jones and Stallybrass argue that the making and transmission of fabrics and clothing were central to the making of Renaissance culture. Their examination explores the role of clothes as forms of memory transmitted from master to servant, from friend to friend, from lover to lover. This book offers a close reading of literary texts, paintings, textiles, theatrical documents, and ephemera to reveal how clothing and textiles were crucial to gender, sexuality, and religion in the Renaissance.

The essays in Staging the Renaissance show the theatre to be the site of a rich confluence of cultural forces, the place where social meanings are both formed and transformed. The volume unites some of the most challenging issues in contemporary Renaissance studies and some of our best-known critics, including Stephen Orgel, Margaret Ferguson, Catherine Belsey, Jonathan Goldberg, Marjorie Garber, Lisa Jardine, and Jonathan Dollimore-- demonstrating the variety and vitality not only of contemporary criticism, but of Renaissance drama itself.