This is the second volume in Sources of Dramatic Theory. This volume includes the major theoretical writing on drama and theater from the eighteenth and early nineteenth centuries. Among the writers represented by their own essays or substantial extracts from longer works are: Voltaire, Diderot, Goldoni, Dr. Johnson, Lessing, Goethe, Schiller, Hegel, and Coleridge. Many of the texts have been freshly translated for this volume and all have been newly annotated and introduced. Recurrent topics and allusions are traced by a system of cross-references.
This is the second volume in Sources of Dramatic Theory. This volume includes the major theoretical writing on drama and theater from the eighteenth a...
Michael J. Sidnell D. J. Conacher Barbara Kerslake
This volume includes major theoretical writings on drama from the Greeks, through the Renaissance up to the late seventeenth century, compiled and edited for students of drama and theater. There are substantial extracts from twenty-eight writers including Plato, Aristotle, Horace, Scaliger, Castelvetro, Guarini, Sidney, Jonson, Corneille, Racine, Dryden and Congreve. The compilers have chosen writers who present detailed arguments about issues that are still relevant to our understanding of drama and theater. Many of the texts have been freshly translated and all have been newly annotated and...
This volume includes major theoretical writings on drama from the Greeks, through the Renaissance up to the late seventeenth century, compiled and edi...
This is the second volume in Sources of Dramatic Theory. This volume includes the major theoretical writing on drama and theater from the eighteenth and early nineteenth centuries. Among the writers represented by their own essays or substantial extracts from longer works are: Voltaire, Diderot, Goldoni, Dr. Johnson, Lessing, Goethe, Schiller, Hegel, and Coleridge. Many of the texts have been freshly translated for this volume and all have been newly annotated and introduced. Recurrent topics and allusions are traced by a system of cross-references.
This is the second volume in Sources of Dramatic Theory. This volume includes the major theoretical writing on drama and theater from the eighteenth a...
Originally published in 1892, The Countess Cathleen aroused fierce controversy when it was first performed in 1899. The play was frequently revived and almost as often revised, becoming at various points in Yeats's career a decisive indicator of his relations with his literary and theatrical public, of his changing conception of dramatic form, and of the status of his pursuit of Maud Gonne, for whom the play was written.
This volume in the Cornell Yeats reproduces the complete set of extant manuscripts preceding the play's first publication and reassembles the extensive...
Originally published in 1892, The Countess Cathleen aroused fierce controversy when it was first performed in 1899. The play was frequentl...
Yeats's Poetry and Poetics brings together some of the finest Yeats criticism ever published, together with some new pieces specially written for this volume. Spanning the whole of Yeats's career, the essays are organised into three main parts. The first deals with Yeats's concern with the speaking voice and its bearing on public and private readings of his verse; and on his use of certain kinds of images in his poetry and plays, from ghosts and fairies, to figures borrowed from painters and sculptors and, extraordinarily, to the actual dancer for whom he makes room in his work. The second...
Yeats's Poetry and Poetics brings together some of the finest Yeats criticism ever published, together with some new pieces specially written for this...
