During the 1930s, radical young writers, artists, and critics associated with the Communist Party animated a cultural dialogue that was one of the most stimulating in American history. With the dawning of the Cold War, however, much of their work fell out of favor, dismissed as dogmatic and un-American and disparaged as aesthetically and imaginatively deficient. Urging a reexamination of the literature and political culture of the 1930s Left, Robert Shulman explores the careers and creative work of five of the most talented writers of this group: Meridel Le Sueur, Josephine Herbst, Richard...
During the 1930s, radical young writers, artists, and critics associated with the Communist Party animated a cultural dialogue that was one of the mos...
