This comprehensive view of carvings and paintings on stone by Native Americans from 200 B.C. through the nineteenth century surveys the rock art of Utah, Arizona, New Mexico, northern Mexico, and west Texas, providing an incomparable visual record of Southwest Indian culture, religion, and society.

Rock carvings and paintings are important sources in the archaeological and historical interpretation of Southwest Indians. Rock art reflects the cosmic and mythic orientation of the culture that produced it, and understanding of prehistoric peoples, both hunters and gatherers and the Hohokam,...

Ancestral Puebloan peoples inhabited the Pottery Mound site on New Mexico's Rio Puerco River from the late fourteenth to the late fifteenth centuries. Archaeologist Frank C. Hibben began excavating Pottery Mound fifty years ago, when archaeologists were paying relatively little attention to Ancestral Pueblo sites. Pottery Mound remains poorly studied, under published, and largely neglected.

Hibben found that Pottery Mound was home to diverse Puebloan characteristics evident in both Rio Grande Pueblos and the Western Pueblos. Hibben also discovered an abundance of pottery styles and layers...

"Painting the Cosmos" presents current research on nearly 2,000 years of ancestral Hopi painting and the values expressed in the imagery, settings, and performance contexts of paintings on kiva walls and pottery vessels.

​Ethics and Rock Art: Images and Power addresses the distinctive ways in which ethical considerations pertain to rock art research within the larger context of the archaeological ethical debate. Marks on stone, with their social and religious implications, give rise to distinctive ethical concerns within the scholarly enterprise as different perceptions between scholars and Native Americans are encountered in regard to worldviews, concepts of space, time, and in the interpretation of the imagery itself. This discourse addresses issues such as the conflicting paradigms of oral traditions...