Unprecedented in range and scope, this volume serves as a record of and reference for the development of fantasy literature. Working to be inclusive, rather than exclusive, opening a dialogue wherever possible, Sandner presents the full range of debates concerning the fantastic and its relationship to the sublime, the Gothic, children's literature, romance and comedy, and the purposes of imaginative literature. Introductions to each essay, presented in full or excerpted for the most relevant commentary, situate the reader in the history of fantasy literature and the criticism it has...
Unprecedented in range and scope, this volume serves as a record of and reference for the development of fantasy literature. Working to be inclusiv...
Many Victorian and Edwardian fantasy stories began as extemporaneous oral tales told for the delight of children and, like "Alice in Wonderland" and "The Wind in the Willows," were written down by chance. These fanciful stories, told with child-like spontaneity, are analyzed here to argue their role in the revolution not only of children's literature, but of the general conception of childhood. In contrast to the traditional moral tales of the 18th century that were written with the express purpose of instructing children how to become adults, this literature that Sandner identifies as the...
Many Victorian and Edwardian fantasy stories began as extemporaneous oral tales told for the delight of children and, like "Alice in Wonderland" an...